Director Spotlight: Gore Verbinski
by Barry Wurst
May 24, 2007
If nothing else, Gore Verbinski was always going to be known as the guy who made those "Bud… Weis… Er" frog commercials. Truly some of the most popular of all Superbowl ads, this one-time music video director hit it big with his swamp-set spots for Budweiser beer. Whether he would make a good feature film director was another story - his wide range of very different films and astonishing successes set Verbinski apart immediately. Today, while (arguably) best known for his Captain Jack adventures, Verbinski continues to impress with an adaptable style that makes him a good fit for just about any film project that comes his way.
May 24 - Gore Verbinski
His debut, MouseHunt (1997), didn't appear promising. Opening the same day as Titanic and Tomorrow Never Dies, it was one of the first DreamWorks releases (following The Peacemaker and Amistad) but not one expected to make much of a blip during the '97 holiday season. While not a classic (and not a blockbuster, either), MouseHunt was better than merely good. In fact, as far as live action family films go, it's occasionally terrific. Entertainment Weekly tossed it off as "The Money Pit with a rodent", but this wildly stylish comedy has a pitch-black sense of humor and look that Tim Burton would've appreciated. Starring Nathan Lane and (get this) Christopher Walken, the movie, an elaborate exercise in sly humor, slapstick and inventive special effects, has as much depth as a Road Runner cartoon and is equally twisted fun.
The Mexican (2001) was not a follow-up one would expect from the director of a kid-catering comedy (albeit a really ghoulish one). It seemed like a no-brainer star vehicle on the surface, with Julia Roberts and Brad Pitt starring in a film from a hot screenplay. Yet, the film itself is not a romantic comedy at all and Pitt and Roberts have very little screen time together. While there are a few laughs here and there, this is actually the kind of violent, offbeat, anything-goes crime caper you'd expect from The Coen Brothers. The reviews were mostly mixed (though a few liked it) and audiences abandoned it after the big opening weekend. The consensus is that the film is overlong and that James Gandolfini steals the film (I agree wholeheartedly). It's saying something that a late-movie cameo by Gene Hackman isn't enough to salvage an ambitious but thoroughly uneven romp.
Again, thwarting expectations but this time with enormous success, Verbinski did a remake of Ringu and scared the crap out of America. The Ring (2002) was a huge success for DreamWorks (Verbinski's home base), finally made a star out of Naomi Watts and launched a now-tired trend of remakes of Asian horror films. While often similar to the original, Verbinski's take on the bizarre material is more bizarre and elaborate than the source material, which it honors in a grim, straight-faced manner. The film is so serious that is almost could be laughable (something Scary Movie 3 picked up on and milked dry) but the story, take-it-or-leave-it surrealism and spooky imagery make it compelling. Worth noting is that the sequel, The Ring Two, was directed and written by the creator of Ringu and it is neither good nor scary.
Following this break-out success, it looked like Verbinski was about to commit career suicide. On paper, a movie based on an old Disneyland ride, starring big name actors, with a mammoth budget, didn't sound like a good idea. In fact, considering it was the first pirate movie in a while (after the genre had torpedoed itself years ago), it sounded like a guaranteed disaster. Johnny Depp, while frequently brilliant, was not a sure thing (unless he was starring in a Tim Burton film) and co-star Orlando Bloom was a fan favorite from Lord of the Rings but not an automatic draw either (ditto Bend It Like Beckham's Keira Knightly). The teaser trailer wasn't promising and it looked like a yar-riffic pirate turkey, along the lines of Cutthroat Island. Instead, an incredible thing happened - except for Finding Nemo, Pirates of the Caribbean: Curse of the Black Pearl (2003) smoked all of the summer movie competition, was a critically acclaimed, much-loved smash hit that reinvented the pirate movie genre and pleased fans worldwide. Cult favorite Depp was now a bonafide movie star (and a first time Oscar nominee for his typically inventive, surprising and witty performance) and Bloom and Knightly found newfound superstardom as well.
Naysayers had to eat dirt as Pirates broke records worldwide and became one of the biggest hits of the year and was far more popular than The Matrix Reloaded, which, from the outset, was seen to be the can't-miss hit of the summer (it wasn't). The momentum of Pirates of the Caribbean was so strong that Once Upon a Time in Mexico, which starred Antonio Banderas and Depp (who steals the whole film) was a surprise hit, as audiences were eager to see Depp again.
Rather than go straight to the sequel, Verbinski tried yet another change of pace, the solemn, sometimes wonderful The Weather Man (2005). For all of the good things about the film (Nicolas Cage's soulful performance, Michael Caine's excellent supporting turn, and a handful of terrific scenes), the overwhelmingly downbeat nature of the film does make it a drag. It seemed like the movie was positioned to be a hit, as it was scheduled to open directly after Cage's National Treasure. Instead of riding on the momentum of that film, the studio pushed the release date back, from March to October, hoping to capitalize on the Oscar season. Instead, following Cage's flop Lord of War, The Weather Man tanked, with bad word of mouth not helping (truthfully, the ad campaign made it look like an out-and-out comedy, not a somber character piece like American Beauty). Despite its flaws, the film deserves its cult status, as the acting, filmmaking and brutally honest screenplay are commendable.
Pirates of the Caribbean: Dead Man's Chest (2006) received mixed reviews but was a monster hit anyway. Even those who weren't crazy about it defend it, saying that part two's of a trilogy often feel disjointed, as they are a middle piece of the bigger story. Naysayers felt the endless array of effects and overstuffed plot overwhelmed the character development and that a little of Depp's Captain Jack went a long, long way this time. The few who disliked it didn't make a dent at the box office, as Dead Man's Chest only tripled Depp's worldwide fans, which made Capt. Jack Sparrow a movie hero seemingly as beloved as Indiana Jones! Love it or hate it, Dead Man's Chest was a huge undertaking and Verbinski made a film overflowing with splendid visuals, larger than life slapstick and knockabout comedy akin to the silent era.
Whether it will all be worth it and if Dead Man's Chest will be reevaluated as a fitting part two of a well rounded trilogy with the release of At World's End (2007), we'll see. Like Sam Raimi, it seems to be time for Verbinski to move beyond the trilogy that he brought so much ingenuity to and baffle audiences yet again. As a director who gave us a bone chilling horror film, one of the best live action children's films, an underappreciated Nicolas Cage drama and made Johnny Depp a world famous star, Verbinski is not yet a household name but his uncanny knack at hopscotching successfully from one genre to another makes him one to watch.
Reader Feedback - 5 Comments
YOU ARE SOOO CRUEL!!!! Why did you have to do that to Will and Elizabeth in the 3 Pirates of the Caribbean movie??? It's just not freaking fair! You have to make another one!!!!!!!!!!!!! (or else you will either be punched in the face, or be shipped off to Cuba for the rest of your sorry little days) ohh and btw...the ring scarred me for life. you should be ashamed for frightening young children. =[
alex and sarah on May 24, 2007
[...] If you ask me, he’s got a versatile filmography thus far, albeit a little bit small. Many people forget that he directed The Ring, and he also directed the Nicolas Cage indie dramedy The Weather Man (which I loved). FirstShowing.net has a great director spotlight that summarizes his career thus far. He’s not necessarily a director with a strong sense of personal style, but I would liken him to Ridley Scott, as he is someone who can succesfully cross genres and bounce between huge productions and small art house flicks. So what do you think? Can the success of the Pirates movies be partially attributed to Verbinski’s skill behind the camera, or is he just another Hollywood jobber? Give us your thoughts here on Open Forum Friday. [...]
Hey Gore I love Pirates of the Caribbean! 1,2, & 3! I saw At worlds end! Really cool! But I don't like the ending, of Will becoming captain of the Flying Dutchmen, and only seeing Elizabeth 1 every 10 years. It would ruin the realationship, every 10 years Elizabeth will get older and Will will be the same. So heres what my dad thought, "Why can't Elizabeth go with Jack and search for the Fountain of youth. Then she drinks it becomes en-turnal and comes back with a bottle of it. Then Jack stabs Will's heart, becomes the captain, then Elizabeth gives Will the bottle from the fountain of youth. And then Will and Elizabeth can be togather and Jack could be what he wants the captain of the Flying Dutchmen." Now I think thats a better ending. Sorry though.
At worlds end on May 25, 2007
LA SHORTS FEST SHORT SCREENPLAY COMPETITION CALL FOR ENTRIES Final Deadline July 27, 2007 Submit Online: http://www.lashortsfest.com 323-461-4400 The winner of the Short Screenplay Competition receives a package of goods and services to bring their ideas to life. 11th Annual LA Shorts Fest is the largest short film festival in the world, screening 700 films of every category. We are accredited by the Academy of Motion Pictures Arts & Sciences. In past years, 25 participants have earned Academy Award nominations, this years Oscar winner for best animated short film “The Danish Poet” made its Los Angeles premiere at LA Shorts Fest in 2006 continuing our streak of the last 8 Oscar winning short films having screened at LA Shorts Fest the previous year. Last year’s award winners received prizes totaling over $100,000. The festival annually attracts more than 10,000 moviegoers, filmmakers and entertainment executives looking for the hottest new talent We have honored some of Hollywood’s legends of the past: Charles Chaplin, Harold Lloyd, and Robert Wise; along with actors Martin Landau, James Woods, Gary Oldman and directors Tim Burton, Bryan Singer, Jan de Bont and Paul Haggis. http://www.lashortsfest.com 323.461.4400
LA SHORTS FEST on May 30, 2007
I LOVED all your pirate movies, but mostly same as the others, i didnt quite like the ending. You could have done better. 1) the part where Elizabeth and Will can only see each other once every ten years...NOT COOL! It will definutly ruin there relastion ship! 2) The only part of why I like the ending is because now there will be a movie probaly about Jack and Elizabeth, let Will take a brake and let the other two take over! Now they will try to find the foutain of youth and everything! 3rd) Well i dont really have anything else to say. So I guess you did good i would give you a 7 in my book if this had to be graded on. But sorry for my some of my harsh note, otherwise i really liked the 3rd film!
Jackie on Jul 16, 2007
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