First Look: Clint Eastwood's Gran Torino Poster and More
After finally figuring out what Clint Eastwood's Gran Torino was about last week, we've got our first look at Eastwood as well as the official poster. This update comes from USA Today, where a full feature article can also be found. Gran Torino follows Walt Kowalski (played by Eastwood), a racist Korean War veteran whose prized possession is a classic car that catches the eye of local gangs in his Detroit neighborhood. The story is really about two important "objects", both of which can be seen on the poster: Kowalski's 1972 Ford muscle car and his M-1 rifle - "the weapon he has had left over since being in the service."
Eastwood elaborates on the plot and the inciting incident. "The young kid, as part of a gang initiation, tries to steal it, and the old guy gets him at the end of the M-1, which becomes kind of a big deal," he explains. "The kid has to do penance because of the pride of the Asian group. They make him do penance. He has to come over, and the old guy doesn't want anything to do with him, doesn't want him anywhere around." So what does Kowalski make him do if he doesn't want him around? "Walt helps him get a job and helps him toughen up a bit… They take him in and try to show him how to handle himself in life."
Eastwood adds that "it's got a lot of twists and turns in the story" but "also has some good laughs." I'm very interested based on that brief description alone. The trailer debuts this weekend in front of Changeling and will be online soon. Speaking of which, has any other director had a trailer for their next movie in front of the theatrical opening of another one of their movies? This may be a first!
Gran Torino is directed by the legendary Clint Eastwood, of Mystic River, Million Dollar Baby, Flags of Our Fathers, Letters from Iwo Jima, and Changeling. The screenplay was written by newcomer Nick Schenk (I Shot Myself) with story assistance from first-timer Dave Johannson. Warner Brothers has scheduled a limited December 17th release for Gran Torino, which puts Eastwood and company into Oscar consideration again. Will audiences be able to appreciate two Eastwood films in one year?