REVIEWS

Review: Golden Gods of Comedy Shine on Get Him to the Greek

by
June 2, 2010

Get Him to the Greek

The side project, the often tried-but-not-always-true act of a rock star shuffling away from the band that brought them to the big dance. Of course, a side project in the film world is a completely different game, even if the level of success is still the same, unsteady bridge as it is in the music industry. The rare occasion either of these cases works alone is stupendous. A side film project about a rock star is sure to fail, right? Well, don't tell the people behind Get Him to the Greek that, because they've made a truly hysterical film that hits with nearly 100% accuracy. A greatest hits album, if you will, of jokes, cameos, even the occasional slow-down moments for a few, brief glimpses of reflection, the film succeeds at just about every turn.

What else would you expect from Nicholas Stoller, the director of 2008's surprise hit, Forgetting Sarah Marshall? That film had honest characters going through genuinely moving yet hilarious antics, and, with its critical and financial success, you knew a sequel was in order. You didn't expect it like this, though. Taking a secondary character, the flighty but exponentially cool Aldous Snow (Russell Brand), Get Him to the Greek (this time directed and written by Stoller) introduces us to his world of late night after-parties, early morning media hustles, and self-destructive tendencies at every turn.

We follow Jonah Hill as Aaron Green (Jonah Hill), a low-level intern at a record company. After instigating a plan to help turn his company's red into black, Aaron finds himself having to put together the very event he planned out. He has three days to fly to England, retrieve the rock God, and get him back to LA for a 10-year reunion performance at the Greek Theatre. Needless to say, hilarity, hijinks, and heroin ensues, and what started out as a simple escort from point A to point B becomes Aaron's awakening into a world he had only seen as an outsider looking in.

Snow and Brand's portrayal of him was, to some, the most beloved and amusing element of Forgetting Sarah Marshall. Stoller's first stroke of genius with his follow-up is in knowing how hilarious Brand can be and the level of insanity he is able to instill in the characters he plays. That aspect of the film writes itself, and the jaunty yet disparaging events we witness through Aaron's eyes seem all the more genuine coming from Brand's effortless performance. In fact, it wouldn't surprise anyone to learn the guy wasn't acting one bit but just stumbled onto set one day acting for the cameras. The real exertion in the film comes from the believability of its straight man, the one who gets into all the same trouble as the rock star but who hasn't become so numb to it as to be able to wake up the next morning without even a five o'clock shadow.

This is one of the areas where Get Him to the Greek falters slightly, this idea of trying to connect with Jonah Hill's Aaron. He's an outsider. We, as the audience, are outsiders, yet some choices (not all, but a few here and there) seem too staged, too unbelievable to make any real connection with us. On one, particular, limo trip to the "Today Show," Aaron decides out of desperation to both begin smoking pot and chugging a bottle of hard liquor. It's necessary to the direction the plot is about to take to have Aaron this messed up, but the path in getting there doesn't exactly pave itself out of nothing.

Regardless, this infraction, minor to even give it a name, does very little in the way of keeping the film from being laugh-out-loud funny. Brand doesn't get all of the laughs, either, and Hill, straight man or not, delivers his own, faire share of the humor. Practically everyone in the film gets their moment to shine from Puff Daddy as the head of the record company who can't wait to find his own rock stardom to Rose Byrne, who brings all the charm of Courtney Love to her role as Snow's ex. Even the sporadic cameos thrown into the mix get hearty chuckles, particularly those best left unannounced.

The humor, though, frenzied and sprawling as it is, still pulls back from time to time to allow the film to head into more dramatic and even darker territory. Much of this works, as well, with Brand turning on the drama just as casually as he seems to be dishing out the comedy. In another instance where Get Him to the Greek makes a slight miscue in its story-telling finds Snow recreating a famous scene from Almost Famous, only the scene here is much darker and its resolution nearly causes the film to head into a direction it shouldn't have turned towards in the first place. The absurdity and the laughs follow shortly after, but the wounds, per se, are still evident both on screen and off.

The golden Gods of comedy shine, though, for what is likely going to go down as the funniest film of 2010. Get Him to the Greek brings one of those rare instances of a sequel/spinoff/side project that is both funnier and better than the planet it orbits. Whether a continued look at Aldous Snow and the knots he gets himself tied into is in the cards, or even if we end up getting a side project of a side project from some, ancillary character in this film (P. Diddy's Sergio Roma would be my, personal choice), you can rest assured that, with Stoller at the wheel, the next film will be faced with the same level of honest and unrelenting humor as Get Him to the Greek. It is a film that truly deserves the encore it is bound to receive.

Jeremy's Rating: 8 out of 10

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  • Xerxex
    I'll have to see it now.
  • almartva
    Russel Brand is not funny.
  • Eli
    He can be funny, but he's kind of sexy so... Jonah Hill on the other hand hasn't proved to be the price of an admission ticket at all. He's the worst. This movie still doesn't look impressive.
  • Daniel Felts
    Russell is funny. Well his stand up atleast. I'm still going to see it.
  • Darunia
    So i'm guessing that the gods weren't enough, and you gotta have your dick sucked for a movie to get a rating above a 7.5!?
  • Shannon
    As a huge "Forgetting Sarah Marshall" fan, it just bugs me that they're using Jonah Hill in the movie - yet he's taking on the role of a completely separate character. I know its really not that big of a deal, but as a movie buff, it's just sort of annoying for me.
  • http://www.cranialborborygmus.com Chuck
    Hmmm... this is a tough call. I don't like Brand (almartva (above) is right), but I like Hill. But I really don't like Brand. But you are saying that this is the best comedy of 2010? Hmmm... I suppose I'll see it... but will probably wait for the DVD from NetFlix. Added to my queue. :)
  • allison
    uh-ok. Anyway, Brand is naturally funny and Hill is in the right roles. It looks genuinely hilarious-want to see it. It is an interesting concept about a movie side project-not common and should possibly explored in other films. But, do we find out how many Air Jordan's his kids need? Guess I will have to make a trip to the cinema to find out.
  • beavis
    this is a " can't miss" for me regardless of reviews.........the trailers look hilarious.
  • Philip J. Fry
    i would hope the best comedy of the year would be higher than a 7.5
  • Zed
    Rose Byrne brings the "charm of Courtney Love" to her Jackie Q role? I can't tell if that's a compliment or a criticism. Courtney Love is gross.
  • Goliad
    my favorite year -- peter otoole... same story with a few changes.
  • L
    Russell Brand is naturally a jerk-off, so #2 wins
  • DoomCanoe
    wanted to see this since i heard it was a Forgetting Sarah Marshal sequel. cant wait and i agree a 7.5?
  • Jackson
    This review seems suspiciously glowing. Is it just me or are others wondering if he got paid to promote it in such a praising manner? It's been done before, studios paying successful movie bloggers to paint their films in a positive light. I'm just saying...
  • Hedgehog
    @ 6 : That's like saying "I get irritated that I see the same extra in 10 different movies!" (check out the fat kid in all the spider-man movies, he's freaking everywhere). Well okay not really the same thing at all but different movie, different character. It woulda been nice if they somehow worked it that since he was such a big music fan, he decided to take a leap of faith after being smacked with reality by Aldous in Sarah, and now he's come full circle and has to get his once beloved music god to the Greek. I think that woulda worked. But i'm just a lowlie Hedgehog.

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