SUNDANCE 2010
Sundance 2010 Day 4: Park City at Midnight Reigns Supreme
by Alex Billington
January 25, 2010
I can't believe it's only Monday! It feels like Sundance began more than a week ago. I've seen 12 films so far and I'm not at all tired yet, but I am wondering what's next. I've seen some great films, some good films, and a few mediocre films, but nothing terrible (thankfully). However, over the last three nights (since the fest kicked off) I've seen three different films from the Park City at Midnight category and they've all be fantastic. Looking back at the fest so far, the line-up in the midnight category is the strongest of the fest this year. I've enjoyed most of the films I've seen in the other categories, but nothing has been just incredible.
Suffice it to say, I haven't found this year's 500 Days of Summer yet. If you didn't already know, this is the first year that John Cooper is running Sundance as the festival's Director. Last year, and for nearly twenty years before that, Sundance was run by Geoff Gilmore, who stepped down to work for Tribeca instead. That means this year has a completely different theme, feel, and line-up and I think the selection hasn't been as top-notch as some year's previous. Then again, we still have seven more days to go, and there's many more great films yet to come. But I feel like the Park City at Midnight category does have the strongest line-up.
The three midnight films I'm talking about are: Vincenzo Natali's Splice (which was awesome), Rodrigo Cortes' Buried (one of my favorite's of the year), and John Stalberg's HIGH School (very funny), which I just saw a few hours ago. There are two more midnight films I'm planning to see later this week that I expect to be great as well: Adam Green's Frozen and Eli Craig's Tucker & Dale vs. Evil. Maybe it's just that I've been in the mood for some good genre films. Or maybe it's because the genre films made recently have been higher quality than before. I'm not sure what it is, but the midnight category really is kicking some ass.
Of course, all this could change in two days when I see some more new films that just blow me away. Or the midnight category could continue to be the strongest part of Sundance 2010, which is honestly what looks like will happen. There's nothing wrong with that, either, I feel completely satisfied with everything I've seen this year. In fact, there are some great films that aren't in the midnight category, like Blue Valentine and Animal Kingdom. But for now it's time to get at least a few hours of sleep as I've got some interviews scheduled tomorrow and more films to see. And hopefully they're all great films. I'll be back again soon!
Sundance 2010 Review List:
Thursday (January 21st):
1. Howl (dir. Rob Epstein & Jeffrey Friedman) - Just Okay
A. Shorts Program I: I'm Here (dir. Spike Jonze) - Loved It
Friday (January 22nd):
2. HappyThankYouMorePlease (dir. Josh Radnor) - Loved It
3. Hesher (dir. Spencer Susser) - Just Okay
4. Boy (dir. Taika Waititi) - Just Okay
5. Animal Kingdom (dir. David Michôd) - Loved It
6. Splice (dir. Vincenzo Natali) - Loved It
Saturday (January 23rd):
7. Welcome to the Rileys (dir. Jake Scott) - Liked It
8. Cyrus (dir. Mark & Jay Duplass) - Liked It
9. Buried (dir. Rodrigo Cortés) - Loved It
Sunday (January 24th):
10. Blue Valentine (dir. Derek Cianfrance) - Loved It
11. The Runaways (dir. Floria Sigismondi) - Hated It
12. HIGH School (dir. John Stalberg) - Loved It

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