REVIEWS

Review: Koepp's 'Premium Rush' Should Have Hit Theaters in 1997

by
August 24, 2012

Premium Rush

Joseph Gordon-Levitt's bicycle messenger character in Premium Rush, the latest from writer/director David Koepp, is a shark, always on the move, never slowing down. If he stops, he dies. And that's all the subtext we get on the character in this fast but clunky chase movie that spends more time on elaborate stunts than character or story structure. It's the kind of thinly crafted, mainstream actioner that would have fit in somewhere in the late 90s, and even now, it's more fun than it deserves to be. Add the insanity of one Michael Shannon as the villain, and Premium Rush is a film that coasts to slight recommendation.

Gordon-Levitt plays Wilee, a New York City messenger who lives on the edge, the kind of guy who's so extreme he's removed the brake from his bike. Knowing the perils that await people of his ilk in downtown NYC - The character notes that some of them "die out here" in the film's plodding opening narration - Wilee braves the street making sure packages and envelopes are delivered on time, street laws be damned. Hey, he's on a bike. He doesn't have to stop at red lights, right? Wilee's day takes a turn South when he's tasked with delivering a certain envelope for a friend. As soon as the envelope hits Wilee's backpack, a pursuit begins with Shannon's deranged New York City Police detective hot on the bicyclist's tail.

Flashbacks reveal the who and the why of the whole situation, and it's those moments when Premium Rush hits the brakes hard. Koepp's screenplay - written along with John Kamps - is streamlined, seemingly much of the fat that might bog a 90-minute movie told in relatively real time getting cut from the first act. It's when Koepp introduces those flashbacks, shows us how Shannon's cop got on Wilee's trail, shows us what the contents of the envelope mean and why it's so important, that the chase is broken up. Showing us instead of telling us is an obvious rule of thumb, but when it slows the pace of a film that needs to be extremely energetic, it's time to restructure.

Premium Rush - Joseph Gordon-Levitt and Aasif Mandvi

A subplot with Wilee's is-she-or-isn't-she girlfriend, played by Dania Ramirez, adds some depth to the story, particularly when connections between characters begin revealing themselves. These connections add plot but very little substance. A few inexcusable choices are made with the story, some outlandish, some lame, some ridiculously sentimental. The reveal of what the contents of the envelope mean is meant to be heartfelt. It's just more padding, as if Koepp needed to get that running time to an hour and a half, and there wasn't enough budget to keep piling on the set pieces.

Which is where the good of Premium Rush is found. Even in this day and age of high tech special effects, computer generated images, and motion capture technology, nothing adds intensity to a chase more than putting the characters on the street and having the action play out on the pavement. The stunts and sequences in Premium Rush include bike riding against traffic, through traffic, hopping fences, and even breaking into a police impound garage. Most of these, along with Levitt appearing on the bike in most of the sequences, could have been pulled off using CGI. If that's the case, bravo for making it appear seamless, but that doesn't appear to be the case.

This movie looks to have Levitt and the rest of the cast who make up Wilee's fellow messengers - It becomes something of a gang mentality in the film, making it feel more than a little like Hackers - actually riding bikes at top speeds in New York City traffic. If this is the case, even bigger kudos are in order for Koepp who has a very keen eye for this kind of action. The chase in Premium Rush starts early, and though there are legs and stops and restarts, it essentially runs for the rest of the movie. For the most part, the director keeps that action always moving forward. Hey, just like Wilee. And as ludicrous as much of it appears to be, it's hard not to think that aspect was intentional, that Koepp knew how thin his movie was, didn't care, and wanted to crank everything about it to the maximum.

Premium Rush - Joseph Gordon-Levitt and Michael Shannon

Some of Premium Rush feels that way, but it's unfortunate that little of the cast here seems to be on the same page. Levitt plays the maverick lead with the same disdain for authority protagonists in films like this require, but there's not even a smile in his eye as he's running bike cops into car doors and chasing a fellow messenger at 50 miles per hour. All of the fun on the acting side is left to Shannon, who takes that challenge and sets it on fire. The part of a dirty cop trying to chase down a MacGuffin could have easily been played straight, with intensity and a sense of real threat. Shannon plays the role as he would comic relief, a bumbling low-life whose misguided actions cause a bad day for quite a few people. It's an interesting choice, as are some of the lines he throws out, and both Shannon and Koepp deserve credit for making the character the film's one shining star. What else did we expect from Shannon, though?

Actually, we didn't expect him, or Joseph Gordon-Levitt, for that matter, to appear in a movie like Premium Rush, a slick, speedy thriller that has little edge and even less creativity. That opening narration comes right at the start, and it's not even the first indication the film is headed for a wall of cliches. The Who's "Baba O'Riley" over the opening credits was the first clue. But, as typical and, yes, dumb as the film is, it's steady delivery of rapid-fire stunts and a bat-shit performance from Michael Shannon keeps Premium Rush from being a total loss. It's biggest crime is that it came out in the wrong decade.

Jeremy's Rating: 6.5 out of 10

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  • Jackmooney9
    I disagree!
  • JerseyBoy
    So that makes The Expendables a film that should have hit in the 80's...maybe Inception should have never came out in this decade but in the future for it's high concept....I guess the film Taken would have worked as a better concept in the 70s also...or heck The Hangover could have been released in 1930 also!
    • Akirakorn
      Inception wasn't high-concept, just techno-mumbo jumbo. Like the Matrix. Plus I've seen a half dozen anime and a few movies that had very very similar premises... in the early 90s.
  • Matt
    If JGL or Shannon were replaced by Tom Hardy, I'm sure this would have gotten at least an 8.5 from you guys...
    • http://twitter.com/davide_coppola Davide Coppola
      Sorry, but that makes no sense: Jeremy is a big fan of "JGL"..
      • Cody W
        Your crazy, Jeremy isnt a fan of anything lol.
      • Matt
        All I know is the guy who runs this site is the biggest Hardy blow-hard I've ever seen.
        • dgeet
          I liked tom hardy ever since i watched rock'n'rolla, if he was in this movie i would def like it 90x more
  • http://www.facebook.com/avi.smulders Avi Smulders
    i still will watch it, looks i will have a fun time with it..
  • http://twitter.com/tyrawrrnosaurus TyRawrrnosaurus
    [Spoiler Alert] I for one found this movie to be pretty dumb. If JGL wasn't in this movie, I could see this being a total trainwreck. The plot device of using a movie ticket in exchange for a cash offering is the weirdest and dumbest choice to make - especially when Shannon's character has no idea what the thing even looks like. He knows that it's a "ticket" sure, but JGL got a good glimpse of it, and he could have easily gone to a movie theater, bought a different movie ticket, put a damn smiley face on it, and given it to Shannon to get him off his back. How would he know if it was real or not. JGL could have gone off on his merry way and delivered the real ticket on time and everyone would be happy - except for Shannon of course who would eventually meet the same sticky fate that he obviously had coming to him.
  • Dominic A
    A positive review , basically , from JK cool ! at least nobody's ranting about " fucking bicycle messengers " like on other sites . They may not be as cool , but their dynamic still applies : get to point B from point A as fast as possible , or someone else will get that run or the one waiting at the " house " . You possibly will not enjoy this movie unless you've actually DONE what they do . Namely , analyze on the spot that there is a 1-second gap between moving vehicles or people , and know u can make it right thru it . And not kill others or yourself .
  • DAVIDPD
    I liked PREMIUM RUSH a lot. It was fun, the formatting of the maps and precog-like stuff was neat. See I can disagree with Jeremy Kirk! Damnit.
  • SteveMN
    I very much like Premium Rush. I'm never disappointed by a JGL movie. It was what it was, and you have to take it at that. I saw some critics complain about "Speed Race" with Emile Herch, but they reviewed as if they expected "Citizen Cane". It was "Speed Race", take it for what it is. I thought this was an innovative take an the typical Chase Movie. Intricate twists and turns, interesting characters, interesting story. I rate it about 7 out of 10.

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