TIFF Announces 52 Additional 2013 Midnight, Doc & Vanguard Films
From Jodo's Dune to Burt's Buzz to Tim's Vermeer, to Eli's Green Inferno and McKee's All Cheerleaders Die and much more. The second batch of films were announced for the 38th Toronto International Film Festival this September, including the Midnight Madness and Vanguard sections. This is our 7th year covering. Last week, TIFF unveiled their selection of Galas & Special Presentations, with handfuls of highly anticipated films. They continue with another set of highly anticipated world premieres, with many docs and more international features set to play the festival this fall. Check out the second batch of 2013 films below.
Here's the next set of films joining the outstanding TIFF 2013 line-up. We'll start with Midnight films first.
(dirs. Derek Lee & Clif Prowse, Canada/USA)
Best friends Derek and Clif set out on a trip of a lifetime. Their plan: travel to the ends of the earth, see the world, and live life to the fullest. But the trip soon takes a dark and bloody turn. Just days in, one of the men shows signs of a mysterious affliction which gradually takes over his entire body and being. Now, thousands of miles from home, in a foreign land, they must race to uncover the source of his illness before it consumes him completely. Footage of their travels meant to document pleasant memories may now become evidence of one of the most shocking discoveries ever captured on film…and may be their only postcard home.
All Cheerleaders Die
(dirs. Lucky McKee & Chris Sivertson, USA)
When tragedy rocks Blackfoot High, rebellious outsider Mäddy Killian shocks the student body by joining the cheerleading squad. This decision drives a rift between Mäddy and her ex-girlfriend Leena Miller — a loner who claims to practice the dark arts. After a confrontation with the football team, Mäddy and her new cheerleader friends are sent on a supernatural roller coaster ride which leaves a path of destruction none of them may be able to escape.
(dir. Joe Begos, USA)
Mark Fisher disappeared from his home in a brilliant flash of blue light almost two years ago. His friend Seth Hampton was the last to see him alive. Now a string of grisly, violent murders leads Seth to believe that Mark is back, and something evil is living inside of him.
The Green Inferno
(dir. Eli Roth, USA)
How far would you go for a cause you believe in? In horror master Eli Roth's terrifying new film, a group of college students take their humanitarian protest from New York to the Amazon jungle, only to get kidnapped by the native tribe they came to save: a tribe that still practices the ancient rite of cannibalism, and has a healthy appetite for intruders.
(dir. Mike Flanagan, USA)
Oculus is a spine-chilling supernatural tale of two damaged siblings (Karen Gillan and Brenton Thwaites) who, as children, witnessed their parents' harrowing descent into madness and murder. At long last, brother and sister reunite as adults to expose and destroy the paranormal entity they believe is responsible: the Lasser Glass — a legendary mirror their family once owned.
(dir. Hitoshi Matsumoto, Japan)
An ordinary man with an ordinary life joins a mysterious club. The membership lasts for one year only and there is one rule: no cancellation under any circumstance. The man enters into an entirely new and exciting world which he has never before experienced.
(dir. Juno Mak, Hong Kong)
Juno Mak's debut feature Rigor Mortis is an eerie and chilling, contemporary action- and special effects-laden homage to the classic Chinese vampire movies of the 1980s. Starring Chin Siu-Ho, Kara Hui, Anthony Chan, Lo Hoi Pang and Richard Ng.
The Station (Blutgletscher)
(dir. Marvin Kren, Austria)
At a climate research station in the Alps, the scientists are stunned as the nearby melting glacier is leaking a red liquid. It quickly turns to be very special juice — with unexpected genetic effects on the local wildlife.
Why Don't You Play in Hell? (Jigoku de Naze Warui)
(dir. Sion Sono, Japan)
Two men, Muto and Ikegami, hate each other. Muto desperately wants to help his daughter Mitsuko star in a movie. Meanwhile, Ikegami falls in love with Mitsuko, knowing that she's the daughter of his foe. Hirata, a filmmaker, and Koji, a young movie-lover, get dragged into this complicated situation that heads into an unexpected direction.
A Story of Children and Film
(dir. Mark Cousins, United Kingdom)
A Story of Children and Film is the world's first movie about kids in global cinema. A passionate, poetic portrait of the adventures of childhood — its surrealism, loneliness, fun, destructiveness and vitality — as seen through 53 great films from 25 countries, director Mark Cousins' landmark film is an eye opener and a celebration of both childhood and the movies.
(dir. Marcel Ophüls, France)
The director of The Sorrow and the Pity shares his memories with us, stories both incredibly rich and fascinating, making Ain't Misbehavin' a cheerful and bittersweet trip through cinema history. Son of the great director Max Ophüls, Marcel can be a generous man and an admirer. Marcel talks with and about personalities like Jeanne Moreau, Bertolt Brecht, Ernst Lubitsch, Otto Preminger, Woody Allen, Stanley Kubrick and, of course, his friend François Truffaut.
(dir. Frederick Wiseman, USA)
At Berkeley is a documentary film about the University of California at Berkeley. The film explores the major aspects of university life of America's premier public university with particular emphasis on the administrative efforts to maintain the academic excellence, public role, and the economic, racial and social diversity of the student body in the face of severe budgetary cuts imposed by the California legislature.
Beyond the Edge
(dir. Leanne Pooley, New Zealand)
It was an event that stunned the world and defined an era. Sir Edmund Hillary's incredible achievement remains one of the greatest adventure stories of all time: the epic journey of a man from modest beginnings who overcame adversity to reach the highest point on Earth. Screening in 3D.
(dir. Jody Shapiro, Canada)
Burt's Buzz is an in-depth and personal look at the life of Burt Shavitz, known to millions around the world as the 'Burt' of the Burt's Bees natural product brand. The documentary explores what it means to be marketed as an icon, and how that life differs from the one of the man behind the logo.
The Dark Matter of Love
(dir. Sarah McCarthy, UK)
The Dark Matter of Love follows three Russian children learning to love their adoptive American family through a scientific programme. From the director of The Sound Of Mumbai: A Musical.
(dir. Allison Berg & Frank Keraudren, USA)
In 1972, John Wojtowicz attempted to rob a Brooklyn bank to pay for his lover's sex-change operation. The story was the basis for the film Dog Day Afternoon. The Dog captures John, who shares his story for the first time in his own unique, offensive, hilarious and heartbreaking way.
(dir. Pan Nalin, France/India)
Filmmaker Pan Nalin travels to Kumbh Mela, one of the world's most extraordinary religious events. There, he encounters remarkable men of mind and meditation, some facing an inextricable dilemma; to embrace the world or to renounce it. Faith Connections explores such diverse and deeply moving stories as a young runaway kid, a Sadhu, a mother desperately looking for her lost son, a yogi who is raising an abandoned baby, and an ascetic who keeps his calm by smoking cannabis — all connected by one faith against the spectacular display of devotion.
Filthy Gorgeous: The Bob Guccione Story
(dir. Barry Avrich, Canada)
Through his lens, Bob Guccione witnessed, influenced and played a starring role in easily one of the most controversial and socially and sexually revolutionary eras in modern history. Reclusive, yet outspoken, Guccione used his art, his fortune and his outspoken views on sexuality and politics to create scandal, change and debate. Unlike his publishing rivals, Hefner and Flynt, there is more to Guccione than meets the eye.
Finding Vivian Maier
(dir. John Maloof & Charlie Siskel, USA)
A mysterious nanny, who secretly took over 100,000 photographs that were hidden in storage lockers and discovered decades later, is now considered among the 20th century's greatest photographers. Maier's strange and riveting life and art are revealed through never before seen photographs, films, and interviews with dozens who thought they knew her.
(dir. Alanis Obomsawin, Canada)
Alanis Obomsawin tells the story of Shannen's Dream, a national campaign to provide equitable access to education for First Nations children, in safe and suitable schools. She brings together the voices of those who have successfully brought the Dream all the way to the United Nations in Geneva.
(dir. Ventura Pons, Spain)
Ignasi M., a world renowned museologist, is living a dramatic moment, but has the capacity to turn any situation into an edifying one and any discomfort into a hilarious series of facts.
(dir. Frank Pavich, USA)
The story of legendary cult film director Alejandro Jodorowsky's staggeringly ambitious but ultimately doomed film adaptation of the seminal science-fiction novel Dune.
The Last of the Unjust
(dir. Claude Lanzmann, France/Austria)
Through an interview with Benjamin Murmelstein, from Nisko in Poland to Theresienstadt, and from Vienna to Rome, Claude Lanzmann provides an unprecedented insight into the genesis of the Final Solution. It reveals the true face of Eichmann, and exposes without artifice the savage contradictions of the Jewish Councils.
(dir. Emiliano Altuna Fistolera, Mexico)
Mauricio Fernandez is the polemical mayor of San Pedro Garza García, the wealthiest and safest municipality in Latin America. He presents himself as an active ruler who is capable of cleaning his municipality of drug cartels without questioning the methods he uses to achieve this. The Mayor describes the wild times of a country that is marked by violence and the complete discredit of the ruling class.
(dir. Chris Jordan, USA)
In the middle of the Pacific Ocean lies a tiny unincorporated territory belonging to the United States called Midway — the site of one of greatest naval battles of all time. Before the navy set up station, this island served for centuries as a breeding ground for hundreds of species of seabird — most notably the Albatross. Midway lies at the center of the Great Pacific Garbage Patch, where the seabirds' feeding grounds are teeming with plastic waste. Unknowingly, the Albatross feed their chicks our refuse and so the very waters that once sustained them, now threaten their lives. Through stunning imagery and narration, the voice of the island tells their epic tale of survival. Both elegy and warning, the film explores the interconnectedness of species, with the Albatross on Midway as mirror of our humanity. This is their story and ours, an inspiring tale of how life and love endure despite incredible odds.
(dirs. David Turner & Lara Zizic, USA)
Death, diamonds and greed — a story of a US businessman's pursuit of an irresistible opportunity during one of the worst humanitarian crises of modern times.
The Square (Al Midan)
(dir. Jehane Noujaim, Egypt/USA)
The story of revolution behind the headlines. From the 2011 overthrow of a 30-year dictator, through military rule, and culminating with the overthrow of the Muslim Brotherhood president in the summer of 2013.
(dir. Teller, USA)
Tim Jenison, a Texas-based inventor, attempts to solve one of the greatest mysteries in all art: How did 17th century Dutch Master Johannes Vermeer (Girl with a Pearl Earring) manages to paint so photo-realistically 150 years before the invention of photography? The epic research project Jenison embarks on to test his theory is as extraordinary as what he discovers.
The Unknown Known
(dir. Errol Morris, USA)
Errol Morris offers a mesmerizing portrait of Donald Rumsfeld, one of the key architects of the Iraq War. Although Rumsfeld has held lofty positions of American political power for half a century, most people know little about him. When Rumsfeld wrote, as part of his most famous meditation, that an "unknown known" refers to "things you think you know that it turns out you do not," he could have been speaking about himself. The Unknown Known is not intended as yet another postmortem on the Iraq War, but rather an illumination of a mystery.
(dir. Madeleine Sackler, USA)
Comprised of smuggled footage and uncensored interviews, Unstable Elements introduces viewers to artists struggling under Europe's last dictatorship. When the KGB targets dissenters, the members of the Free Theater find themselves torn between their art and safety. This compelling documentary showcases the power of art to change the world.
When Jews Were Funny
(dir. Alan Zweig, Canada)
When Jews Were Funny is director Alan Zweig's personal exploration into the roots and the manifestations of his Jewish identity, and particularly the question of how this Jewishness of his has persisted, though he's done nothing to maintain it. He begins his exploration by trying to answer a question that's intrigued him since childhood. Why were all the comedians he watched on TV in the fifties and sixties, Jewish? At first he doesn't get the answers he was hoping for, but he trusts in the old saying, "two Jews, three opinions" and eventually some answers start to form.
A screening programme devoted to the presentation, understanding and appreciation of Canadian and international cinema, presenting a collection of seven restored classics at TIFF 2013.
An Autumn Afternoon
(dir. Yasujiro Ozu, Japan)
Yasujiro Ozu's final film is the gentle, heartbreaking story of a man's dignified resignation to life's ever-shifting currents. Though widower Shuhei Hirayama (Chishu Ryu) has been living comfortably for years with his grown daughter, a series of events leads him to accept and encourage her marriage and departure.
Digital restoration by Shochiku Co. Ltd., the National Film Center and the National Museum of Modern Art, Tokyo. Special thanks to Janus Films.
(dir. Joseph H. Lewis, USA)
This stylistically audacious, seminal "rural noir" from director Joseph H. Lewis placed American reverence for firearms in its crosshairs, unloading a sociopathic-erotic crime spree — and setting the template for subsequent lovers-on-the-run thrillers like Bonnie and Clyde.
35mm restored print courtesy of the UCLA Film & Television Archive. Preserved in cooperation with Warner Bros. from the original 35mm picture and track negatives.
Hiroshima mon amour
(dir. Alain Resnais, France/Japan)
Alain Resnais' epochal masterpiece Hiroshima mon amour stars Emmanuelle Riva as a French woman visiting post-war Hiroshima, who has an affair with a local architect (Eiji Okada) that evokes painful memories of her first love, a German soldier, in Nazi-occupied France.
The restoration in 4K was carried out from the original negative by Argos Films, the Technicolor Foundation, the Groupama Gan Foundation and the Cineteca di Bologna, with the support of the CNC. It was supervised by the director of photography Renato Berta. The work was done by L'Immagine Ritrovata laboratory. Special thanks to Argos Films and Tamasa Distribution.
The Lovely Month of May (Le Joli Mai)
(dirs. Chris Marker & Pierre Lhomme, France)
Long unavailable in the U.S. and a major work in the oeuvre of filmmaker Chris Marker (1921–2012), this restoration of Le Joli Mai (The Lovely Month of May) debuted at the Cannes film festival, 50 years after the film first premiered there. It was created according to the wishes of Marker, supervised by the film's cinematographer and co-director, Pierre Lhomme. Le Joli Mai is a portrait of Paris and Parisians during May 1962, the first springtime of peace after the ceasefire with Algeria and the first time in 23 years that France was not involved in any war.
Restoration and digitization made possible by the Center national du cinéma et de l'image animée and the Archives françaises du film. Special thanks to Icarus Films.
Manila in the Claws of Light (Maynila: Sa Mga Kuko Ng Liwanag)
(dir. Lino Brocka, Philippines)
A brilliant fusion of florid melodrama and gritty realism, Lino Brocka's story of a country boy traversing the myriad pitfalls of Manila's urban jungle — presented here in a dazzling 4K restoration — is widely considered to be the greatest Philippine film of all time.
Restored in 2013 by the World Cinema Foundation and the Film Development Council of the Philippines at Cineteca di Bologna / L'Immagine Ritrovata laboratory, in association with LVN, Cinema Artists Philippines and Mike de Leon.
Rome, Open City (Roma, città aperta)
(dir. Roberto Rossellini, Italy)
One of the most powerful and influential films ever made, Roberto Rossellini's Rome Open City focuses on a resistance leader who, fleeing the Gestapo, takes refuge with an ally and his pregnant fiancée (Anna Magnani). Shot in the streets of Rome during the last days of the war, this legendary film ushered in Italian neorealism, a key development in the history of cinema.
Restored by Fondazione Cineteca di Bologna, CSC - Cineteca Nazionale, Coproduction Office and Istituto Luce Cinecittà. Special thanks to Janus Films.
(dir. David Cronenberg, Canada)
David Cronenberg's third feature film announced him as the master of "body horror" and features a fast spreading parasite that quickly overruns a Montreal apartment complex, turning its residents into sex-crazed zombies.
A TIFF digital restoration in partnership with Technicolor Creative Services Toronto. Colour correction was supervised by David Cronenberg.
(dir. Jeremy Saulnier, USA)
A classic American revenge story, Blue Ruin follows a mysterious outsider whose quiet life is turned upside down when he returns to his childhood home to carry out an act of vengeance. Finding himself in a brutal fight to protect his estranged family, he proves to be an amateur assassin. Starring Macon Blair.
(dir. Alex van Warmerdam, The Netherlands/Belgium/Denmark)
Borgman is the central character in Alex van Warmerdam's dark, malevolent fable. Is he a dream or a demon, a twisted allegory or an all-too-real embodiment of our fears? Borgman is a sinister arrival in the sealed-off streets of modern suburbia. His presence unleashes a crowing gallery of distortion around the careful façade constructed by an arrogant, comfortable couple, their three children and nanny. Starring Jan Bijoet, Jeroen Perceval and Hadewych Minis.
Celestial Wives of the Meadow Mari
(dir. Alexey Fedorchenko, Russia)
Comprised of 23 vignettes illuminating the pagan-influenced mores of western Russia's Meadow Mari, the latest film from director Alexey Fedorchenko (Silent Souls) is a beguiling, painterly portrait of a culture driven by a ritualistic appreciation of female beauty and feminine sexuality.
(dir. Yeon Sang-ho, Korea)
A rural village is determined to be submerged and its residents are compensated for relocation. A swindler named Choi deceives the poor villagers with false religion to make them give up their compensations as church offerings. Min-chul, an infamous local good-for- nothing waster, discovers the truth, but he is unable to convince anyone; especially against Reverend Sung, who is revered by the people, but who in fact is someone Choi scouted to serve his purpose. When Min-chul's own faithful daughter is forced into prostitution by these fakes, he sets out to get even.
(dir. Alexandre Aja, USA)
Horns, a supernatural thriller driven by dark comedy, mystery and romance follows Ignatius Perrish as he awakens after a hard night of drinking to find he has grown a pair of horns. In addition to his devilish appearance, the horns cause people to fall into a trance and voice their most unspeakable thoughts, an effective tool in Ig's quest to discover the truth of his girlfriend's murder. Starring Juno Temple and Daniel Radcliffe.
People In Places (Gente En Sitios)
(dir. Juan Cavestany, Spain)
This kaleidoscopic film weaves together approximately 20 fragmented scenarios that offer a view of contemporary Spain, drawing conclusions about the persistence of the human condition, strangeness, and the chaos within relationships. Starring Raul Arevalo, Eduard Fernandez and Santiago Segura.
(dir. Zack Parker, USA)
While walking home from her latest OB appointment, a very pregnant Esther Woodhouse is brutally attacked and disfigured by a hooded assailant. This horrible event seems to be a blessing in disguise when Esther finds consolation in a support group. Her life of sadness and solitude is opened up to friendship, understanding, and even acceptance. However, friendship and understanding can be very dangerous things when accepted by the wrong people.
(dir. Ti West, USA)
From acclaimed writer/director Ti West (The House of the Devil, The Innkeepers) and horror master Eli Roth (Hostel, Cabin Fever, The Last Exorcism), The Sacrament follows two Vice media correspondents as they set out to document their friend's search to find his missing sister. They travel outside of the United States to an undisclosed location where they are welcomed into the world of "Eden Parish," a self-sustained rural utopia comprised of nearly 200 members. At the centre of this small, religious, socialist community is a mysterious leader known only as "Father." As their friend reunites with his sister, it becomes apparent to the newcomers that this paradise may not be as it seems. What started as just another documentary shoot soon becomes a race to escape with their lives. Starring Joe Swanberg, AJ Bowen, Kentucker Audley, Amy Seimetz and Gene Jones.
(dir. Brillante Mendoza, Philippines)
With the rival station Philippine Broadcasting Channel (PBC) eating up the TV audiences' major share, Sarimanok Broadcasting Network (SBN) needs a miracle to stay alive in the competition. In these mad and fearful times, SBN's news team finds that documenting an actual spiritual possession would be their only hope.
Sex, Drugs & Taxation (Spies & Glistrup)
(dir. Christoffer Boe, Denmark)
Sex, Drugs & Taxation is based on the true story about the spectacular friendship between two of the most notorious and provocative men in 1960s Denmark: the eccentric lawyer-turned-politician, Mogens Glistrup, and the 'travel king', millionaire, womanizer and public provocateur, Simon Spies. Starring Pilou Asbæk, Nicolas Bro and Jesper Christensen.
(dir. Chung Mong-Hong, Taiwan)
A-Chuan, a quiet 30-year-old man working as a chef in a Japanese restaurant, collapses suddenly and is rushed to a hospital. His colleagues send him to his father, who resides in the mountains. While there, A-Chuan becomes immobile: he won't speak, eat or even go to the toilet on his own. One day his father returns from work only to find A-Chuan sitting in the corner with his daughter lying dead in a pool of blood. In an unfamiliar, eerily calm voice, A-Chuan says, "I saw this body was empty, so I moved in."
The Strange Color of Your Body's Tears
(dirs. Hélène Cattet & Bruno Forzani, Belgium/France/Luxembourg)
A woman vanishes. Her husband inquires into the strange circumstances of her disappearance. Did she leave him? Is she dead? As he continues his search, he plunges into a world of nightmare and violence… Starring Klaus Tange, Jean-Michel Vovk, Sylvia Camarda, Sam Louwyck and Anna D'Annunzio.
Thou Gild'st the Even
(dir. Onur Ünlü, Turkey)
Man is created of anxiety. —Euripides
In a small Anatolian town, life goes on: Cemal is an assistant referee in football matches; Yasemin works on a farm; and Defne is a street vendor who sells books. In this town with two suns and three full moons in the sky, Cemal — who has the ability to see through the walls — has no expectations out of life, and looks for a way out with Yasemin — who can move objects with her fingers. However, Defne, who can freeze time, will muddle things up, and Yasemin's immoral boss' actions will contradict the invisible elementary school teacher's advice, who is trying to eliminate the worries of Cemal. Thou Gild'st the Even is a black and white film about the ordinary sorrows, worries and troubles of townspeople with extraordinary abilities.
We Gotta Get Out of This Place
(dirs. Simon Hawkins and Zeke Hawkins, USA)
With only three weeks left until his two best friends leave for college, Billy Joe robs his cotton farmer boss, Giff, in order to pay for one last blow-out weekend in Corpus Christi, Texas. Arriving home from the weekend, the teens find the consequences of Billy Joe's actions brutal. Now Billy Joe, Bobby, and Sue will be taken on a ride that will test love, heartbreak, trust, and crossing that permanent line from adolescence into adulthood.
For more information and a closer look at the schedule and line-up, visit the official TIFF website: tiff.net
This is the second big batch of film announcements for TIFF, and they've lined up just about any/everything I want to see. Including the two films I missed in Cannes that had a lot of buzz: Borgman and Blue Ruin, as well as my fest favorite doc Jodorowsky's Dune. There's plenty more to see in across all of the categories, with an additional set of films still to be announced in the coming weeks. TIFF always packs in endless amounts of fantastic international cinema, and this year is no exception. The festival runs from September 5th-15th later this fall. See the first half of the Gala & Special Presentation line-up here. See you in Toronto!