Steven Soderbergh Cut Silent, B&W Version of 'Raiders of the Lost Ark'
In case you didn't know, Steven Soderbergh has been doing some interesting work on the side in the midst of working on the Cinemax series "The Knick" and lensing Magic Mike XXL as director of photography, not to mention editing the male stripper sequel. On his own website, Soderbergh mashed up the original version of Psycho with his shot-for-shot remake and also did a "Butcher's Cut" of Heaven's Gate. This time he's taking aim at a much bigger project by cutting a silent, black and white version of Raiders of the Lost Ark, complete with a borrowed score with music from The Social Network and more.
Steven Soderbergh's version of Raiders of the Lost Ark isn't embeddable, but click below to watch it:
The director says (on his website) this is just for education purposes only and adds:
"I want you to watch this movie and think only about staging, how the shots are built and laid out, what the rules of movement are, what the cutting patterns are. See if you can reproduce the thought process that resulted in these choices by asking yourself: why was each shot—whether short or long—held for that exact length of time and placed in that order? Sounds like fun, right? It actually is. To me. Oh, and I’ve removed all sound and color from the film, apart from a score designed to aid you in your quest to just study the visual staging aspect. Wait, WHAT? HOW COULD YOU DO THIS? Well, I’m not saying I’m like, ALLOWED to do this, I’m just saying this is what I do when I try to learn about staging, and this filmmaker forgot more about staging by the time he made his first feature than I know to this day (for example, no matter how fast the cuts come, you always know exactly where you are—that’s high level visual math shit)."
So Soderbergh wasn't trying to make a better version of Steven Spielberg's revered adventure film. Rather, he put this together as an exercise in better understanding staging. He says, "I operate under the theory a movie should work with the sound off, and under that theory, staging becomes paramount." It's mere coincidence that the studio behind the film just happens to be Paramount Pictures. One thing is for sure, the movie sure does look gorgeous in black and white and wouldn't feel out of place as a film from more than 1981. This is definitely a fun exercise and learning experience. Cool?