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It's difficult to say which is sharper in Ben Wheatley's latest film, Free Fire: the bullets being fired by the nefarious characters found within or the witty jabs those characters tend to fling at one another between the continual barrage of deadly gunplay. One may kill you, but the other may actually hurt your feelings. As with his previous films, Wheatley presents Free Fire with a gleefully dark sense of humor, the ridiculousness of events playing out made all the more senseless when you take into account where everyone's mindset is at. That sense of humor – not to mention the aberrantly comical characters – washes the onslaught of violence down all the easier, though, and, with Free Fire, Wheatley once again proves to be a unique voice
How much can you really analyze the films of The Fast and the Furious franchise at this point? They know what they are, and the fans of these movies definitely know what awaits them with each, new entry. The formula is evident: fast cars, silly dialogue, colorful but badass characters, and family, always family. The eighth and latest entry, The Fate (F8) of the Furious, is no different from the rest, and, though the film provides an endless slew of over-the-top and impressive stunts and a complete disregard for the laws of physics, it never recreates the feeling of excitement this franchise has delivered so many times before. The motor propelling The Fast and the Furious series may not be completely out of steam, but the check engine
Kong is back, and the beast has never been this vicious. Since the 1933 classic, King Kong, the cinematic variations on the creature have been as varied as they are impressively crafted by the film world's latest technology. The stories surrounding humans trekking to his home, Skull Island, have twirled about similar predicaments, though: they venture to the island, encounter the impressive Kong, kidnap him for display in the world of man. The giant ape deserves a shot of adrenaline, and it's director Jordan Vogt-Roberts who has come in to deliver that shot. Kong: Skull Island is a thrilling entry into the storied franchise and not only in expected ways. With energetic pacing and breathtaking visuals the film satisfies on the typical levels, but Skull Island also drops in a bit of weirdness that easily sets it apart from modern monster movies.
Australian actor Hugh Jackman looks tired playing Wolverine. Granted, anyone would give off the same level of weariness if they played the same role in nine films across 17 years, so there's very little blame to be laid at the actor's feet here. It isn't a tiredness in having to play Wolverine so often, though, that makes the fatigue so palpable in the movie Logan, the actor's latest and presumably final appearance as the most famous member of the X-Men squad. That's simply his emotional mindset being conveyed in this latest entry into the X-Men franchise, the culmination of an exhausting life for the self-healing mutant. Packing as much emotional punch as it does sci-fi, blockbuster thrills, Logan ends up being a near-perfect sendoff for the character and exactly what any fan of this series would want in a finale for the beloved character.
John Wick can come back any time he damn well pleases. That was the message delivered by the 2014 action hit that not only saw the eponymous assassin returning to his death-dealing ways, it was a return of sorts for the film's star, Keanu Reeves. Keanu is back, John Wick is back, and the film that follows, John Wick: Chapter 2, is a perfect, action-packed, bullet-riddled, blood-soaked sequel. The follow-up does precisely what a sequel should do. It's bigger than its predecessor, and more elaborate than the efficient, streamlined actioner it follows. It isn't necessarily better. That would truly be an impossible task, but John Wick: Chapter 2 delivers on all this new franchise promises, an action extravaganza that keeps us amped for more.
Nicolas Cage is a unique talent in the acting world. His performances often give us something to talk about regardless of the quality of the film surrounding that performance, and it creates an air of excitement that follows the actor wherever he's seen. This is exactly why, for the past four years, the Alamo Drafthouse has programmed a day of movies in Cage's honor. Entitled CAGED (or "C4GED" for this year's program) the day, usually coordinated by Tough Guy Cinema programmer Greg MacLennan and in honor of Cage's 53rd birthday, treats movie-going fans to five, surprise titles all headlined by a memorable Nicolas Cage performance. Every year MacLennan has invited Cage to attend, and it was for seemingly this final year of CAGED that we were all witness to the biggest surprise of them all. Nicolas Cage actually showed up.
More often than not a good soundtrack in a movie can be just as captivating as the visuals in which it accompanies. We live within the world of that film as we experience watching it, but a good soundtrack – composed score or curated list of songs – can allow us to reengage with the film on a purely auditory level sometimes even offering up an entirely new perspective. It's why this list is always such a joy to put together at the end of any year (review my previous soundtrack picks for the Best of 2014 and Best of 2013). Listed below are my Top 10 Soundtracks/Scores of 2016, and, as always, it's a fun list to put together. These are the scores and song lists I will surely be listening to in the coming months, the soundtracks that are every bit as memorable as the films themselves. (You can also find my Top 10 Films of 2016 here.) Enjoy!
It was another stellar year at the cinema, and don't let anyone try to convince you otherwise. While some are crying shouts that the cinema is dead the art form is doing all it can to prove otherwise, and it's easy to see how the industry is doing. Below are my Top 10 Films of 2016, but it could just have easily have been 10 completely different movies on this list. The impressive list of honorable mentions (found at the end) should give some credence to that. These are the 10 films, though, that moved me most of all, the films with which I most engaged, the films I believe the cinema community will be talking about for many years, beyond 2016.
Assassin's Creed is the best film adaptation of a video game we've ever seen. Granted, that's not exactly a huge wall to scale. The world of video games adapted to the big screen has had more valleys than peaks, and problematic films like Silent Hill and Resident Evil are considered the best this brand of movie making has to offer. Cult status has been kind to movies like Super Mario Bros. and Mortal Kombat in recent years, but even those fall into the category of fun rather than good. Leave it to a filmmaker like Justin Kurzel (of Snowtown and Macbeth) to show how it's done. With breathtaking visuals, commendable performances, and an unconventional story Assassin's Creed handily Parkours its way up through the ranks to come out
The new regime behind the Star Wars franchise came with a promise to the die-hard fans of the world. We would be offered one, new entry into the series every year until the brand became old and tired or until the stars overhead burned out, whichever came first. That meant every other film would take a side step away from the main saga and branch out into the ever-expanding universe surrounding it. This meant something as trivial as the first paragraph of A New Hope's opening crawl could be fleshed out into a feature film, which is what they've done with Rogue One, the first of many Star Wars stories to come. What looks like fodder to fill out the Star Wars release slate on paper, though, ends up delivering the freshness this beloved franchise desperately needed and all the excitement those die-hard fans have come to expect.
"It's conflict and it's compromise, and it's very, very exciting." That's how Sebastian, the character played by Ryan Gosling in La La Land, describes jazz, his obvious infatuation with the genre of music seeping into the actor's delivery. It's a description that could just as easily be used for the concepts of life and love and the way writer/director Damien Chazelle handles them in his film. La La Land is never as aggressive as Chazelle's first film, Whiplash, nor does it reach the sincere depths of that film. The intensity works its way into the film in different ways, though, the musical structure leading the viewer through Chazelle's story of failure and success in Los Angeles with joyous results. For so many different reasons La La Land is every bit the success that Whiplash was, chief among these the undeniable impact the film, and music, has on you.
We were bound to hit a lull in the excitement that comes from Marvel movies, especially the origin story part of the deal. That natural – and vital – aspect to the expansion of the Marvel Cinematic Universe has been played out up, down, and all over the place to the point we find ourselves craving something, anything outside the norm. Thank God for Doctor Strange, that atypical, origin story for which we've been waiting. Sure, it delivers on the excitement and humorous fun we've all come to expect, but under the direction of Scott Derrickson, the Marvel superhero who deals in mysticism and the strange, otherworldly creatures knocking on the door to our plane of existence comes alive with unexpected and surprisingly fresh results.