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The trades were predicting it for a few weeks. Ben Affleck was even hinting at it for a while. Now it's official. Warner Bros and Ben Affleck announced together on Monday night that Ben Affleck will not be directing The Batman movie as previously planned. Affleck will remain on the project as a producer and star. With Affleck no longer directing the film, there's already a long list of possible candidates who could replace him. Variety reports that Warner Bros already has a shortlist, and there's going to be immense speculation as to who will be on that list. So we decided to put together our own dream list of directors who could replace Affleck on The Batman and make a kick ass, dark, yet different movie about the World's Greatest Detective.
Nicolas Cage is a unique talent in the acting world. His performances often give us something to talk about regardless of the quality of the film surrounding that performance, and it creates an air of excitement that follows the actor wherever he's seen. This is exactly why, for the past four years, the Alamo Drafthouse has programmed a day of movies in Cage's honor. Entitled CAGED (or "C4GED" for this year's program) the day, usually coordinated by Tough Guy Cinema programmer Greg MacLennan and in honor of Cage's 53rd birthday, treats movie-going fans to five, surprise titles all headlined by a memorable Nicolas Cage performance. Every year MacLennan has invited Cage to attend, and it was for seemingly this final year of CAGED that we were all witness to the biggest surprise of them all. Nicolas Cage actually showed up.
The complete list of nominees for the 89th Academy Awards, the most prestigious award in Hollywood, have been announced today (via oscar.go.com). The Academy of Motion Picture Arts and Sciences revealed the nominees this morning via live broadcast and on their website. They've nominated many outstanding films, and lots of amazing performances from 2016, though there are always others that deserve recognition. There's no need to spend any more time introducing this, so let's get right into it! This year, The Academy selected a total of nine Best Picture nominees, including: La La Land, Moonlight, Arrival, Manchester by the Sea, Lion, Hidden Figures, and Hell or High Water. So without further ado, here is the full list of noms.
More often than not a good soundtrack in a movie can be just as captivating as the visuals in which it accompanies. We live within the world of that film as we experience watching it, but a good soundtrack – composed score or curated list of songs – can allow us to reengage with the film on a purely auditory level sometimes even offering up an entirely new perspective. It's why this list is always such a joy to put together at the end of any year (review my previous soundtrack picks for the Best of 2014 and Best of 2013). Listed below are my Top 10 Soundtracks/Scores of 2016, and, as always, it's a fun list to put together. These are the scores and song lists I will surely be listening to in the coming months, the soundtracks that are every bit as memorable as the films themselves. (You can also find my Top 10 Films of 2016 here.) Enjoy!
At the climax of Batman v Superman: Dawn of Justice, Superman has literally fallen into the arms of his love, Lois Lane. The ending is far from romantic, however, as Batman and Wonder Woman stand beside the slain hero, heads bowed mournfully. Who knew this downer of an ending would signify more than just defeated heroes, it also acts as an analogy for the entire trajectory of DC Comics on film. By the time Suicide Squad rolled around, you could argue the DC Extended Universe had been put on suicide watch. For Ben Affleck, what started as a co-starring role has morphed into possibly being the DCEU's only saving grace.
Perfectly timed with release of latest religious epic directed by Martin Scorsese, titled Silence, which is slowly expanding to more theaters this month, is a video essay on religious themes in Scorsese's films. Titled "God's Point of View", the video proposes the simple question: "Is God watching in all Marty's films?" There is no narration, instead the video uses footage from almost every single Scorsese film to present the possibility that Scorsese always includes scenes in his film from the point-of-view of God. But how? And why? His focus is on the choice to shoot some scenes looking straight down at characters in times of their greatest struggle, accompanied by the music of Max Richter. A must watch for fans of Scorsese and cinema.
Jim Jarmusch's new film about a poet in Paterson, New Jersey is one of my favorite films of 2016. I saw it twice at the Cannes Film Festival, wrote a glowing review (calling it "the rare perfect film"), and caught it again in Berlin a few weeks ago. As expected with pretty much every film that premieres to rave reviews at a festival, there will be a backlash. One of the most vocal complaints I've been hearing about Paterson has to do with the lead woman in the film, the wife of Adam Driver's bus driver character. She is played by Iranian actress Golshifteh Farahani and has a major role in the story, as he wakes up with her every day and she encourages him to publish the poems he is writing in his notebook. I believe she is the perfect character, in a way that is off-putting perhaps (she's "too" perfect), but it still works for this particular film. Let me explain.
The list of nominations for the 74th Annual Golden Globe Awards (of 2017), the yearly precursor to the Academy Awards, have just been announced today - you can find all the film nominees below. The infamous Hollywood Foreign Press Association announced the nominees this morning from The Beverly Hilton. The selection this year is impressive, but as always it's full of some wacky and eye-brow-raising picks, and a few snubs (of course - like Michael Shannon from, well, anything). The top nominees are Damien Chazelle's La La Land (with 7 noms), Barry Jenkins' Moonlight and Kenneth Lonergan's Manchester by the Sea; with a surprise appearance from Deadpool. Another fascinating year of picks but not that surprising for the HFPA.
"City of stars, there's so much that I can't see…" It's here! One of the annual must-see best of the year lists is actually a video countdown made by my colleague David Ehrlich (follow him @davidehrlich). He counts down his 25 best films of the year in a video edited together with footage and music from each of the films. This is such an entertaining way to count down the best cinema of 2016, and it always makes me want to watch each one of these (even the ones I've seen before). There's so many great films on Ehrlich's list this year - from Jackie to La La Land to The Fits to Moonlight, and yes, even Swiss Army Man is superb. Enjoy.
It's that time again! With the end of the year approaching, everyone begins revealing their own Top 10 best of the year lists. One of our favorite lists that kicks off this time is from filmmaker John Waters' - his Top 10 favorite films from this year. For 2016, Waters has chosen yet another (expected) eclectic mix of films, including Paul Verhoven's controversial Elle, Todd Solondz's divisive Wiener-Dog, as well as David Farrier & Dylan Reeve's outstandingly creepy documentary Tickled, among some other oddball picks. A few years back his top film was Spring Breakers, and last year it was a film titled Helmut Berger, Actor. I always like hearing about Waters' favorites because he has such unique taste and his quick comments are fun to read.
DC's biggest heroes have been facing an adversary even bigger than Doomsday or Kryponite as of late: their own studio, Warner Bros. It was last month when it was revealed that director Rick Famuyiwa dropped out of directing The Flash, citing creative differences. This was a sizable loss for the film, as Famuyiwa's hiring was considered a major coup. His departure hints at trouble for DC on film, who has stumbled out of the gate when their films should be leaping over tall buildings in a single bound. Along with countless mixed to negative critical reactions to their last two offerings, Batman v Superman: Dawn of Justice and Suicide Squad, it's become clear Warner Bros is struggling to bring DC's finest to the big screen. But why?
When you think of auteur filmmaker Darren Aronofsky, you probably think of Requiem for a Dream or Black Swan. However, when I think of Darren Aronofsky, I can't help but gravitate toward what I think is his most underrated film: The Fountain, released in 2006. The science fiction love story, starring Hugh Jackman and Rachel Weisz playing essentially the same characters over three timelines, was released ten years ago today with little fanfare. The film was blasted by critics and made very little at the box office. However, I fell in love with the film from the moment I gazed my eyes on the first frame ten years ago. Let's explore why I think the film is an underrated masterpiece and one of Aronofsky's best in his filmography.