ENJOY THE SHOW
I'm back again in the South of France for the Cannes Film Festival, and it feels so good. I had to skip last year as I just couldn't afford to make the trip, and I really missed it. So I told myself I'd be back again this year, and here I am. There's just something about this place, a magic in the Mediterranean air that is almost tangible. There's so much history here, but right now I'm here, I'm a part of it. When I was mirroring Roger Ebert's book a few years ago (see "Two Weeks in the South of France" posts from 2014) there is a section where he talks about going out to Francis Ford Coppola's boat after the Apocalypse Now premiere. That's the kind of history that hangs over this festival, but it's actually inspiring and exciting, not overwhelming.
Now that you've seen it, what did you think? "You have operated with unlimited power and no supervision. That's something the world can no longer tolerate." Now in theaters is Marvel Studios' latest, Captain America: Civil War, directed by the Russo Brothers. This time they pit hero against hero, as the Avengers universe begins to go crazy as two sides are formed. On one side you have Captain America, Bucky, Falcon, Scarlet Witch and Hawkeye; on the other side there's Iron Man, Black Widow, War Machine, The Vision, Black Panther and yeah maybe Spidey. So how did this one turn out? Is it really one of their best yet? Once you've seen it, leave a comment with your own thoughts on Marvel's Captain America: Civil War.
In the Marvel Cinematic Universe, Captain America and Iron Man are currently at odds, fighting tooth and nail for their own respective ideologies. However, in the playing field that is the superhero genre, some are arguing that superhero movies are starting to become a tad predictable, their routine less super. They are familiar with Cap's shield and Iron Man's armor with some saying they just don't have the gleam they used to have. Marvel's greatest heroes might be facing a new battle altogether: fatigue. This isn't a battle just facing Marvel, but all superheroes alike. While Batman v Superman: Dawn of Justice, DC's own answer to that debate, might have proved a bit more polarizing than originally intended, Marvel's Captain America: Civil War proves that superheroes still have a bit more fight to them – and here's why.
On March 6th in 2009, Zack Snyder's Watchmen opened in theaters. The movie ended up being a modest success – earning nearly $200 million worldwide on a $130 million budget, with 65% on Rotten Tomatoes – but it would later develop more of a cult following on home video, with a "Director's Cut" and eventually an "Ultimate Cut" with a run-time of 215 minutes. Watchmen was released a year after Marvel Studios' Iron Man and several years before The Avengers and the big boom of superhero movies as we know it. As the film celebrates the 7th anniversary of its release, let's take a look back at how Watchmen paved the way for Snyder's upcoming Batman v Superman movie, and perhaps the entire DC Extended Universe itself.
The 88th Academy Awards are upon us and it's time to watch the show and discover the winners of the most prestigious award in Hollywood. The Oscar ceremony is being broadcast live from the Dolby Theatre in Hollywood with the esteemed Chris Rock as our host of the show this year. With eight worthy Best Picture nominees, it should be exciting to find out which one is the big winner. It has been a very interesting year - no one knows for sure what will win, it could be anyone. Will Mad Max reign supreme or will Iñárritu top again? It's finally time to find out who is taking home an Oscar, and who isn't, at the Academy Awards. The full list below will be updated with winners marked once announced live tonight - refresh for updates.
Read on for a complete list of #Oscars2016 nominees & winners. Let us know what you think of the results!
This will be updated throughout the night to reflect the winners as revealed. Additionally, I might be adding a small bit of editorial commentary beneath each category. Winners are highlighted in BOLD below.
Finally, the truth comes out. No, 10 Cloverfield Lane is not a Cloverfield sequel. In fact, it has nothing to do with Cloverfield (the original 2008 monster movie), producer J.J. Abrams finally admits: "This movie is very purposefully not called Cloverfield 2, because it's not Cloverfield 2." However, what he's getting at here is the "bigger picture" concept behind why Cloverfield is in the title and what they're going for: "there is a bigger idea at play for us with these movies and this connection." Essentially, movies made by Bad Robot that end up with "Cloverfield" in the title or synopsis are part of a series of "monster movies" that deal with a big sci-fi threat - not specifically the same monster. Abrams finally cleared the air about what to expect.
The box office totals are in. The reviews have been read and audiences have spoken with a mouth as loud as a merc - Tim Miller's Deadpool is a huge success, and not just financially or even critically. It has been universally well received, which is a tremendous accomplishment for a third tier superhero character that (according to 20th Century Fox) had minimal mainstream appeal that languished in development hell for years. It was the vulgar, graphic and unadulterated version of Thomas the Tank Engine, the little irreverent train that could. However, with the success of Deadpool, major movie studios everywhere might not take the best lessons from the film's astronomical success – as James Gunn illustrated so brilliantly last weekend. So let's take a look at what Hollywood can glean from the outrageous success of the Merc with a Mouth.
Leave the real world behind. Even though it's barely a week into February, I'm impressed by the amount of high quality marketing material we've seen this year so far. While I must acknowledge that the marketing for Deadpool has been brilliant across the board, and this new poster for Allegiant is worth pointing out, the best poster art released this year so far is for Ben Wheatley's High-Rise. The film already premiered last year and played at a few festivals (read Jeremy's review or Amanda's review) but has yet to be given a US release date, even though it opens in the UK in a few months. These posters are promoting the UK release, which is perhaps the explanation behind why they're so unique. View both High-Rise posters in full below.
The complete list of nominees for the 88th Academy Awards, the most prestigious award in Hollywood, have been announced today (via oscar.go.com). The Academy of Motion Picture Arts and Sciences revealed the nominees this morning live via online/television broadcast. They've nominated many outstanding films, and most of the standout performances of 2015, though there are always more. There's no need to spend any more time introducing this, so let's get right down to it! This year, The Academy selected a total of eight Best Picture nominee films, including: The Big Short, Bridge of Spies, Brooklyn, Mad Max: Fury Road, The Martian, The Revenant, Room, Spotlight. So without further ado, here is the full list of 2016 Oscar noms.
No way! Say it isn't true! This may just be a Golden Globes rumor, but it might also end up being true. Mad Max: Fury Road director George Miller, who just received a nomination from the Directors Guild Awards, is apparently not planning to make any more Mad Max movies again. In one of their recaps of celebrity musings from the Golden Globes, they include quotes from George Miller where he apparently straight up says: "I won't make more Mad Max movies. Fury Road… was forever getting completed." Ouch. Apparently the extended production was rough enough that he's no longer interested in more. Which is understandable.
Now that you've seen it, what did you think? "As long as you can still grab a breath, you fight. You breathe…" Now playing in theaters nationwide is the action survival thriller The Revenant, the follow-up feature from Best Director winner Alejandro G. Iñárritu (who also won Best Picture with Birdman last year). Based on a true story, Leonardo DiCaprio stars as Hugh Glass, a frontiersman left for dead after a vicious bear attack. He manages to stay alive and seek revenge on the man who betrayed him. Also starring Tom Hardy, Domhnall Gleeson, Will Poulter and Forrest Goodluck. So how is it? Too pretentious, or sublime? Once you've seen it, leave a comment below with your own thoughts on Iñárritu's The Revenant.
In cinemas around the world this past weekend, millions of people came out to experience the new Star Wars movie on the big screen. It wasn't just an event, it was much more than that. It's an experience that moviegoers have been anxiously awaiting for years (technically 32 years since last saw Han & Leia & Luke), with many challenging themselves to not watch any footage before release. And I'm not just talking about waiting to see our old friends again, but savoring a chance to go in and experience a movie without any of the major plot points or big reveals being ruined before. It's this kind of communal cinematic experience, and the ensuing discussions/arguments/enthusiasm that arise afterward, that I relish. And it's something I feel has been missing from Hollywood recently. Of course it was Star Wars that brought that feeling back.