ENJOY THE SHOW
What a crazy few weeks it has been for Hollywood. As we all know, directors Phil Lord & Chris Miller were shockingly fired from Disney's still-untitled Han Solo project a few weeks ago. It was shocking because they were already several months into filming the new Star Wars Story movie, with only a couple of weeks remaining. Lucasfilm eventually announced that Ron Howard had been hired to replace them. Lord & Miller aren't the first directors to not work well within the studio system as of late. Jon Favreau, Edward Norton, Patty Jenkins and Edgar Wright have all faced similar problems in recent years. So, are auteur filmmakers doomed? Let's take a look at why studios like Disney & Marvel still need auteur filmmakers.
When a movie has the word "amazing" in the title, it comes with certain expectations. For The Amazing Spider-Man movies, however, they often failed to live up to their title. After Sam Raimi decided not to try to leave the franchise on a high note making Spider-Man 4, Sony and Columbia fast-tracked their plans to reboot Spider-Man. The response was mixed. After all, Spider-Man 3 had just come out a couple years before. Was a reboot needed so soon? That didn't stop the studio, however. The Amazing Spider-Man and its sequel, The Amazing Spider-Man 2, would revisit the origin story over two muddled films, star Andrew Garfield & Emma Stone and would be directed by 500 Days of Summer helmer Marc Webb. In the last installment of our Spider-Man retrospective series in anticipation of Spider-Man: Homecoming arriving, let's take a look at how Marc Webb's Amazing Spider-Man movies were, unfortunately, less than amazing.
Sam Raimi's Spider-Man 3, released in May of 2007, is one weird movie. It suffers from the curse of the "threequel", a film with potential that is overwhelmingly disappointing. In my previous editorial in this ongoing Spider-Man retrospective series, I talked about how Spider-Man 2 swings among some of the best sequels in cinema history. If Spider-Man 2 is the Superman II of the Spider-Man series, then Spider-Man 3 is the Superman III of the franchise - but with considerably weirder dance sequences. In the newest edition of our "Looking Back" series, let's take a look at why Spider-Man 3 begins the series of diminishing returns for Spider-Man movies as one of the most disappointing threequels in modern superhero film history.
When it comes to sequels, there an expectation to raise the bar. If you think of some of the best sequels of all time, whether that's The Empire Strikes Back, Star Trek II: The Wrath of Khan or Aliens (to name a few), each film improved upon the foundation of the first in major ways. In the second part of our weekly Spider-Man retrospective series leading up to the release of Spider-Man: Homecoming on July 7th this summer, we take a look at how Sam Raimi raised the bar for not only Spider-Man movies, but the entire superhero genre itself with Spider-Man 2. The superhero sequel hit theaters on June 30th, 2004 (that's 13 years ago!), just a week before 4th of July, and it once again went on to set records at the box office and beyond.
It was the summer of 2002. The superhero genre was at a much different place than it is today. This was before "shared universes" were a known phrase in anyone's vocabulary. It was before superhero movies were even a sub-genre unto themselves. A little movie ("little" even though it cost ~$130 million to make) called Spider-Man would spin its web into cinemas and explode onto the scene. It was a big hit, at the time, with the biggest opening weekend of all-time (earning $114.8 million which, back then, was a huge achievement) and it started a cultural zeitgeist that has pervaded pop culture ever since. With Sony's latest iteration of Spidey, titled Spider-Man: Homecoming, swinging into theaters starting July 7th this summer, let's take a look back at the original film that helped define what we've come to know today as the superhero movie.
Well, Warner Bros can breathe a sigh of relief. Wonder Woman is a resounding success. The Gal Gadot-starring, Patty Jenkins-directed film made history by making $100 million in its opening weekend, the biggest opening for any woman-directed movie. The reviews have been glowing, and audience reception seems overwhelmingly positive. Wonder Woman is a bona fide hit for the studio, a home run that Warner Bros certainly needed. With the first well-received DCEU movie under their utility belts, all masked heads are turned to the next DCEU offering, Justice League, opening in November. Let's look at how Warner Bros can learn from the success of Wonder Woman as they take the next big leap in their cinematic universe.
This is what movies are all about. This is why movie theaters will be around forever. There is nothing that can compare to the theatrical experience, especially when everyone is in sync and completely caught up in the movie on the screen. With all the discussion about the death of movie theaters, and the decline of film, it's refreshing to have a very nice discussion about the truly memorable, exhilarating times we've spent in cinemas. Over the past weekend, a Twitter user named Antoine Linguine asked about everyone's favorite theater-going movie experience, and he has been getting answers non-stop ever since. We've collected a few of the best responses below, in hopes of reminding everyone that there can be positive experiences at the movies, and these are some of the most unforgettable moments. So what is your favorite movie experience?
Everything old is new again. It was revealed this week that Warner Bros is currently considering rebooting The Matrix and making a new series of movies. Keanu Reeves had hinted at the possibility of returning for a fourth Matrix for some time. However, WB appears to be interested in forging a new path. In a world full of endless remakes, sequels and reinterpretations, a Matrix re-imagining seems wholly unnecessary. So let's explore why The Matrix needs to be revisited, but not rebooted. It shouldn't come as much of a surprise that a film as revered and respected as The Matrix would get a reboot. Even a film as treasured as The Lion King is getting a live-action do-over. So let's explore why The Matrix needs to be revisited, but not rebooted.
This past weekend, Alamo Drafthouse and Kodak partnered to host the very first annual "Reel Film Day" to celebrate 35mm cinema (official website). To mark the occasion, numerous classic films were projected in 35mm at all of the various Drafthouse locations around the country. In celebration of 35mm and the glory of cinema, Drafthouse founder/CEO Tim League wrote a passionate essay on Indiewire to commemorate the first Reel Film Day. The full essay is titled "35mm Film Deserves Your Respect: Alamo Drafthouse Founder Tim League Makes the Case" and it's a must read, not just because Tim is one of the smartest guys in this entire industry, but also because it's such a wonderfully vibrant reminder of the true value of art and film.
"Nature made me a freak. Man made me a weapon. And God made it last too long." Hugh Jackman has made nine appearances as the Wolverine over seventeen years. In that time, I don't think we've really ever gotten to know who Wolverine is until Logan this year. It is Jackman's definitive, and coincidentally final, performance as the feral mutant. It's hard to realize that it took nine movies and nearly two decades to finally understand what drives this hulking, angry loner. However, let's examine how Logan, even though it marks Hugh Jackman's final time playing Wolverine, actually feels like the first real Wolverine movie yet.
The 89th Academy Awards are upon us and it's time to watch the show and discover the winners of the most prestigious award in Hollywood. The Oscar ceremony is being broadcast live from the Dolby Theatre in Hollywood with the esteemed Jimmy Kimmel as our host of the show this year. There are nine fantastic Best Picture nominees, and I'm looking forward to finally knowing who wins. It has been a very exciting, but also a challenging year in 2016. The big battle seems to be between La La Land and Moonlight. It's finally time to find out who is taking home all the Oscars, and who isn't, at the Academy Awards. The full list of nominees below will be updated with winners marked once announced live tonight - refresh for all updates.
Read on for a complete list of #Oscars2017 nominees & winners. Let us know what you think of the results!
This will be updated throughout the night to reflect the winners as revealed. Additionally, I might be adding a small bit of editorial commentary beneath each category. Winners are highlighted in BOLD below.
The trades were predicting it for a few weeks. Ben Affleck was even hinting at it for a while. Now it's official. Warner Bros and Ben Affleck announced together on Monday night that Ben Affleck will not be directing The Batman movie as previously planned. Affleck will remain on the project as a producer and star. With Affleck no longer directing the film, there's already a long list of possible candidates who could replace him. Variety reports that Warner Bros already has a shortlist, and there's going to be immense speculation as to who will be on that list. So we decided to put together our own dream list of directors who could replace Affleck on The Batman and make a kick ass, dark, yet different movie about the World's Greatest Detective.