ENJOY THE SHOW
Now that you've seen it, what did you think? "I finally realized I am frightened of my own husband." Now playing in theaters everywhere is David Fincher's adaptation of Gone Girl, the novel by Gillian Flynn. In the film, Ben Affleck plays Nick Dunne, husband to a wife who has disappeared from a small town. Rosamund Pike plays his wife Amy, the one missing, but does she have something else going on or is it all the husband to blame? The cast includes Carrie Coon, Tyler Perry, Kim Dickens, Patrick Fugit, Neil Patrick Harris and Emily Ratajkowski. So how is it? Better than the book or is it a disaster? How are Affleck & Pike as the leads? Once you've seen it, post a comment with your thoughts on Fincher's Gone Girl.
A month ago it was reported that Quentin Tarantino was taking over the New Beverly Cinema in Los Angeles and running/programming the theater full-time. Tarantino is now owner of the repertory cinema located in the heart of Hollywood, and after years of letting it run on its own he finally stepped up to take over picking films and presentations. Tarantino spoke to LA Weekly recently and his quotes were published this week, discussing the reasons behind his choice to choose the films and what he wants the New Beverly to be known for ("a bastion for 35mm films."). As always, Tarantino has some very interesting things to say.
Now that you've seen it, what did you think? "Got to be who you are in this world, no matter what." In theaters everywhere is The Equalizer, directed by Antoine Fuqua (of Training Day, Tears of the Sun, Brooklyn's Finest, Olympus Has Fallen), starring Oscar winner Denzel Washington as Robert McCall, a mysterious vigilante who takes on the Russian mob (and anyone who messes with him). The cast includes Chloe Moretz, Marton Csokas, Haley Bennett, Bill Pullman and Melissa Leo. Is it any good? Does it live up to the TV show it's based on? If you've seen it, leave a comment with thoughts on The Equalizer.
Now that you've seen it, what did you think? Heroes come in all shapes and sizes...even rectangles. Now playing is the latest stop-motion animated feature film from Laika titled The Boxtrolls, co-written by Irena Brignull & Adam Pava adapted from Alan Snow's novel "Here Be Monsters!", co-directed by Graham Annable & Anthony Stacchi. The film tells the story of an orphan boy raised by underground cave-dwelling trash collectors called Boxtrolls. It's wacky, but tons of fun. How much fun? Better than Laika's other films or more of the same? Once you've seen it, post a comment with your own thoughts on Laika's The Boxtrolls.
There are many great filmmakers that are captivating subjects to speak with, to learn what inspires them, what makes so gifted at telling stories. One such filmmaker is David Fincher, who I've had the honor of interviewing once before. This time for Gone Girl promotion, Fincher was interviewed by Playboy and the results are incredible. Despite the magazine's otherwise dirty content, Playboy actually conducts some of the best interviews around and they always go into depth on life and love and career. That's the case with Fincher, and this is one great interview worth highlighting. Especially because he talks about Hollywood and projects like Disney's 20,000 Leagues Under the Sea which he was attached to (and came close to filming).
Many cinephiles know that the PG-13 rating that is so popular today is a relatively new addition to the rating system of the Motion Picture Association of America. Basically, because some movies with more questionable content like Indiana Jones and the Temple of Doom, Poltergeist and Gremlins threw parents into an uproar because the content didn't seem to fit the PG-rating moniker, Steven Spielberg and the MPAA came up with the PG-13 rating as a middle ground between the more kid-friendly PG films, and the adult-oriented R-rated flicks. However, GoodBadFlicks thinks the PG-13 rating is causing problems.
While the #CinephilePhoto trend on Twitter is highlighting a lot of favorite shots from filmmakers and fans alike, CineFix has decided to collect what they they are the 100 Most Iconic Shots of All-Time. They start all the way in the past with some of the earliest motion pictures, moving through iconic silent films very quickly until things move very quickly beginning with Citizen Kane. Now this isn't entirely meant to be definitive, though it strives for some objectivity by including well-regarded films of history like North by Northwest and The Wizard of Oz as well as pop culture icons like Raiders of the Lost Ark and more.
Now that you've seen it, what did you think? "Sin City's where you go in with your eyes open, or you don't come out at all." Now playing in theaters is the long-awaited sequel adapting the Frank Miller graphic novel series Sin City: A Dame to Kill For, co-directed by Robert Rodriguez and Frank Miller, with one heck of an ensemble cast. From Mickey Rourke to Josh Brolin, Jessica Alba to Joseph Gordon-Levitt, with Eva Green and Rosario Dawson, Ray Liotta, Dennis Haysbert, Christopher Meloni, Jeremy Piven, Christopher Lloyd and Powers Boothe as Roark. Was it worth the wait all this time? Is it any good? Once you've seen it, post a comment with your own thoughts on Sin City: A Dame to Kill For.
Now that you've seen it, what did you think? Cowabunga! They're back on the big screen! Originally created in 1987 by Kevin Eastman & Peter Laird, the Teenage Mutant Ninja Turtles were first turned into a movie trilogy in 1990, as well as multiple animated TV shows, toy lines and much more, including another animated movie in 2007. Now Platinum Dunes takes a shot at bringing back the Ninja Turtles in live-action form with director Jonathan Liebesman at the helm, Megan Fox as April O'Neil, and an eclectic cast including four actors in suits playing the Turtles. But is it any good? At least the action? Or is it another disaster? Once you've seen it, post a comment with thoughts on Jonathan Liebesman's new TMNT.
Just yesterday, Warner Bros. blinked in their face-off with Marvel that would have seen Batman v. Superman: Dawn of Justice going head-to-head with Captain America 3 on May 6th, 2016. But neither studio would have won in that scenario, so Warner Bros. made the smart decision to move the film to March 25th, 2016. Either the studio aims to start summer early, or they see what's becoming more and more obvious: blockbusters don't need to open during the summer anymore. But along with this date shift, the studio also announced a slew of new release dates for DC Comics films through 2020, adding to Marvel's future slate that runs through 2019. But is this truly exciting stuff, or just overkill? More below!
While the scenes that played after the end credits of Phase One of Marvel's cinematic universe all teased the next film up to bat whether it was Thor or Captain America: The First Avenger or even just The Avengers themselves. However, the teases in the end credits of the films in Phase Two haven't always been as forthcoming about hinting at what's to come in future films. Iron Man 3 was just an amusing little scene between Tony Stark and Bruce Banner, but Captain America: The Winter Soldier upped the ante with a big tease of what's to come in The Avengers: Age of Ultron and even Captain America 3. As for Guardians of the Galaxy though, the tease was surprising to say the least, and also pretty cool when you think about it.
Now that you've seen it, what did you think? "All heroes start somewhere." Now playing in theaters everywhere is Marvel Studio's Guardians of the Galaxy, directed by James Gunn, starring Chris Pratt as Star-Lord, Zoe Saldana as Gamora, Dave Bautista as Drax, Vin Diesel as Groot, Bradley Cooper as Rocket, with Lee Pace, Michael Rooker, Karen Gillan, Djimon Hounsou, John C. Reilly and Glenn Close. So how is it? Does it live up to expectations? How much fun is it to watch Groot & Rocket? What was your favorite part? Once you've seen it, post a comment with thoughts on Gunn's Guardians of the Galaxy. I am Groot!
Hooray for filmmakers! On the same day as Christopher Nolan's birthday, news hits that Kodak has struck a deal with Hollywood movie studios to keep 35mm film alive. For now. The Wall Street Journal is reporting a big story that actually names some names saying that film production at Kodak is being saved thanks to a few filmmaker "lobbyists" who pushed the studios to make this deal. Officially numbers will be announced soon, but Kodak has partnered with the studios to "buy a set quantity of film for the next several years" even though they may not use it all, which will help keep one of their main factories open and running. Read on.
"There's a Comic-Con in all of us," my driver said as we headed toward the airport in San Diego on Sunday afternoon. It's true. As I head home from my ninth year returning to the Comic-Con International in San Diego, I have been reflecting on the experience that is this ambitious comic book convention turned geek madhouse. ~160K people descend upon San Diego every July to spend five days waiting in lines, squished together, tripping over each other, in hopes of getting their hands on some exclusive toy or product or look at a trailer or their favorite movie star. From the outside looking in, it seems crazy. Who would do this? Why do people subject themselves to this madness every year? Because we are passionate about what we love.