After years of speculative buzz, Zack Snyder finally unveiled a complete look at where the future of DC is headed at Comic-Con with an extended trailer for Batman v Superman: Dawn of Justice. Technically speaking, this is a sequel to Man of Steel, but Zack is adamant to remind fans that this is the beginning of something new (meaning: Justice League and other DC movies) and not so much a sequel to Superman's re-imagined origin. That said, it's clear with some of the footage in the trailer that these two movies connect directly. There's a shot of Ben Affleck as Bruce Wayne (aka Batman) on the ground in Metropolis watching Supes fight Zod as buildings collapse around him. This changes everything about Man of Steel. Or does it?
I still can't believe it. This was my 10th year attending the San Diego Comic-Con. 10 long years. I still remember that first year, back in 2006, finding myself overwhelmed by everything geeky and awesome. At the time we were barely a site, just a few months old, and yet somehow we found a way to get a press badge and sneak in. Not only that, but my main goal was to meet Sam Raimi as I was in love with his Spider-Man series (Spider-Man 2 is still one of my favorites). That year the big reveal was Venom in a never-before-seen tease of Raimi's Spider-Man 3, and I actually missed the panel because it was full (I couldn't get into Hall H easily back then either, go figure). But I stood near the doors and watched the footage as they were open (now they have giant curtains blocking the view). Hall H erupted in cheers. That excitement hasn't changed.
The other day I went to see Pixar's Inside Out in theaters. I live in New York City and went to the big 42nd Street AMC Theatres, where I could catch a 2D showing at the right time. Before the movie began, after all of the previews but just before the short film, they included a message from the film's director, Pete Docter (seen above). I'm not sure if this message is included on all copies/prints of Inside Out, or just certain ones, or in certain places, but I assume it's probably playing everywhere. It's just a short "Thank you" message, pointing out that tons of people put a lot of work into making this movie, so thank you for coming out to theaters to see it. It was a very nice, genuine, humble message that took me by surprise and made me smile.
Is it time to finally say "hasta la vista" to the Terminator? With the release of Terminator: Genisys, it might very well be. This summer, like most moviegoing summers, is the summer of sequels. Earlier this year we got Jurassic World, the fourth installment in the long-running Jurassic Park series. Sure, it is stomping through box office records right now, but did that series really necessitate three sequels? The quick answer is no. Similarly, the new installment in the Terminator series, dubbed Terminator: Genisys, opens this week (and already opened in select special screenings Tuesday night). It is the fifth installment in the series – a series where each film gets progressively more terrible than the last. With Genisys opening this week, let's look at why studios – and to a lesser extent audiences – still crave more Terminator movies, even while the science fiction franchise has devolved into a disappointing series of diminishing returns.
Ten years ago the state of the Batman franchise – and the movie industry – was in a much different place than it is now. In today's movie climate, the term "reboot" is a word bandied about casually and Batman as a character and movie franchise is held in high regard. However, ten years ago things were completely different. Before Christopher Nolan's Batman Begins, the future of Batman in live-action was uncertain. With the ten year anniversary of Christopher Nolan's seminal film this week, let's take a look back at how Nolan – before he was the enormously successful filmmaker he is today – redefined Batman and the reboot.
As Star Wars – the original film, A New Hope – turns 38 this year (it opened May 25th, 1977), it's hard to imagine a time when Star Wars wasn't an ingrained part of our pop culture. For a second, just imagine a world where lightsabers aren't a thing and the Millennium Falcon is just a figment of George Lucas's imagination. There's no denying Star Wars has infiltrated almost every aspect of our culture and as we prepare to embrace a whole new chapter of the Star Wars legacy with this December's Star Wars: The Force Awakens, let's take a look and see how Star Wars has changed movies – and pop culture – permanently.
Welcome to Another Year at the Movies with Jordan Jeffries. Just a few weeks ago I stopped by the 2015 MoCCA Arts Festival (hosted by the Society of Illustrators) in New York City, sort of like Artists' Alley at Comic-Con minus the rest of Comic-Con and only the artists. There I stumbled across and discovered one amazing, unforgettable comic book dedicated to a love of movies, titled Matinee Junkie. It was written and illustrated by cinephile Jordan Jeffries from New Jersey. I bought a copy of year one and the sequel, Matinee Junkie 2 (for 2014), which recaps each a year of his life as connected to the films he saw - including a full-size scan of the ticket stub. This is a must read comic book for any/every last movie lover out there.
What looks good this year? This past week I attended the CinemaCon convention in Las Vegas, an annual convention for movie theater owners + distributors. Every year Hollywood flies in actors and hosts elaborate presentations inside of The Colosseum at Caesars Palace to show off their movies over the next year. I've decided to recap all of the panels from all of the studios (Paramount, WB, Fox, Universal, Sony) and discuss some of the best footage we saw. They pack in so much into these presentations, and I'm glad we get a first look at some of the big projects they've been working on. A few reveals blew us away, while other footage made me less worried about movies we've already seen teases for. So without further ado, let's jump right in.
The first teaser trailer for Zack Snyder’s highly anticipated sequel Batman v Superman: Dawn of Justice was unveiled on Friday – and expectedly, there were plenty that loved it and plenty that didn’t. There were some that praised the trailer’s dark tone but some that argued the trailer was too oppressively bleak. At the center of this debate lies a microcosm of Warner Bros. and DC Comics' approach to how they are handling their cinematic universe – which has created plenty of detractors, including those on Marvel’s side already accustomed with how to build a comic universe on film. However, I believe the trailer represents what WB and DC are trying to do in direct contrast with what Marvel has done, and that's okay.
Can it be done? Can (and will) a movie studio successfully market a major movie without any trailers or clips or actual footage from the movie? (And I don't mean a tiny indie that becomes a big hit.) That's the question bouncing around my head this week, augmented by all the marketing madness occurring at the CinemaCon convention (where movie studios go all out showing movie theater owners their slate for the upcoming year). With the release of the latest Tomorrowland trailer this week, the discussion has restarted on Twitter about not watching any trailers at all any more, a growing movement among dedicated movie lovers. So, that makes me wonder: is marketing a movie successfully without spoiling any footage possible?
Early this afternoon, we were wowed by the second teaser trailer for Star Wars: The Force Awakens, which was chock full of plenty of new goodies, and also some sentimental old faces and friends. And now that we've had a chance to watch it dozens of times, and will continue to do so until December, we wanted to examine the trailer much more closely and see what we can decipher about what's to come in Star Wars: Episode VII. There are undoubtedly some hints as to what we can expect in the J.J. Abrams flick, but we're still just piecing together fragments here and there combined with the rumors we've heard. More below!
Let's discover something new. Kicking off this week in New York City is one of my favorite under-the-radar film festivals, called New Directors/New Films. Co-presented by both the Film Society of Lincoln Center and the Museum of Modern Art (two of the best places for movies in the city anyway!), the fest highlights first-time filmmakers and their incredible feature debuts. This is my second year attending, and it's really all about the films, and the spirit of discovery, and first time introductions to filmmakers we'll be hearing about for many years to come. If you want to feel like you're ahead of the class, or you want an early start learning about which filmmakers are on the rise, take a closer look at this festival and its selection. They found them.
"It could be a game changer," but they're afraid of it. Here we go again with movie theater chains. Earlier this week Netflix announced they're acquiring and distributing the new film Beasts with No Nation, a feature from Cary Fukunaga starring Idris Elba as the commander of a group of guerrilla fighters in Africa. Despite Netflix starting out as a DVD company, they've grown considerably. Beasts with No Nation will not only be released on the Netflix platform, but it will be released in theaters by the company, with a "vigorous push in Oscar season." Their release strategy of going to theaters and VOD at the same time still scares some movie theater owners, and the big chains have backed out of releasing this film altogether. Ugh.
The U.S.S. Enterprise lost an irreplaceable member of her crew this morning: actor Leonard Nimoy, age 83, passed away in his home in the Bel Air section of Los Angeles, CA from chronic obstructive pulmonary disease. Fans everywhere have mourned the actor's death, paying tribute with a proper salute on social media. It's as if his memory has beamed into the hearts of those that watched him as a child on the bridge of the Enterprise – and into the hearts of those that just discovered him. For those that loved and admired him, Leonard Nimoy was more than just a Vulcan called Mr. Spock. To many, he was the face of Star Trek.