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Celebrating 40 Years of Creating the Impossible! If you are a movie lover, you know ILM. Also known as Industrial Light & Magic, ILM was originally created by George Lucas as an effects house for the original Star Wars, and lead the industry for decades in special effects. They were the first to introduce computer-generated FX into movies in Young Sherlock Holmes (and The Abyss), and have since revolutionized (and blazed trails in) the CGI VFX industry. ILM is not only preparing for a new Star Wars franchise, but they're also the VFX house behind the new Warcraft movie as well as Michael Bay's Transformers and Guillermo del Toro's Pacific Rim. So, to celebrate, Wired has published a fascinating, extensive look at ILM's history.
"Do yourself a favor and pretend to care!" As usual, the Alamo Drafthouse often whips up new PSA videos about theater etiquette (no talking, no texting!) when the stars roll into town to promote a new release. This time it's Mad Max: Fury Road director George Miller, but most of all, it's badass Australian actor Hugh Keays-Byrne, who plays Immortan Joe, telling you to "shut your face" and have a lovely day at the movies. Keays-Byrne is the same actor who played bad guy "Toecutter" in the original 1979 Mad Max, also directed by George Miller, and he's kind of amazing in this clip below. I'm glad he seems to be having so much fun promoting this. Nothing like combining old & new Mad Max, plus theater etiquette reminders, in one video.
I love this guy's art so much I'm proud to say I have one of his pieces on my wall. There's a new show from artist "Raid71" opening at the fantastic Bottleneck Gallery in Brooklyn, NY this weekend. The show is called "Illuminate" and focuses on his unique style with vivid colors. His pieces are inspired heavily by Blade Runner, but he also has work from Tron, Taxi Driver, Midnight Cowboy, Dark City, Akira, Mean Streets, The Fisher King and more. He does some excellent work, and it really stands out on a wall, it's the kind that you want to buy and hang everywhere. Luckily we've got an early look at some art from the show.
Big screen, big sound, dinosaurs, beer, popcorn, pizza, no texting. Can it get any better than that? Alamo Drafthouse is providing one amazingly sweet deal by offering an exclusive, custom-made Jurassic World pint glass to customers who pre-order tickets to the see the new dinosaur movie in theaters this June. The pint glasses are actually velociraptor pint glasses, featuring a motif from the scene where Chris Pratt rides on his motorcycle with the raptors. It was illustrated by Eric Manche, and looks awesome in the photos. I want one, or two, or three, or all of them. No but seriously, this is cool, and I love that they're doing this and making it so easy to get them - just by pre-ordering. A few may be available to buy at theaters but that's it.
Geeks unite! This is one of my favorite films of the year, so I'm happy to keep writing about it, and I love the marketing for it so far. Instead of focusing on prestige and critics, they're selling Rick Famuyiwa's Dope purely based on how awesome the characters and story are - which is fine by me, because it's an excellent film (read my Sundance review) that deserves to find a wide audience. Musician Pharrell Williams, who is an executive producer on the film, debuted this new poster which isn't particularly artsy but does represent this film very nicely. On here you'll see Shameik Moore, Tony Revolori and Kiersey Clemons as three friends from Inglewood. Give it a look below, but most importantly mark down this release in your calendar.
Welcome to Another Year at the Movies with Jordan Jeffries. Just a few weeks ago I stopped by the 2015 MoCCA Arts Festival (hosted by the Society of Illustrators) in New York City, sort of like Artists' Alley at Comic-Con minus the rest of Comic-Con and only the artists. There I stumbled across and discovered one amazing, unforgettable comic book dedicated to a love of movies, titled Matinee Junkie. It was written and illustrated by cinephile Jordan Jeffries from New Jersey. I bought a copy of year one and the sequel, Matinee Junkie 2 (for 2014), which recaps each a year of his life as connected to the films he saw - including a full-size scan of the ticket stub. This is a must read comic book for any/every last movie lover out there.
Think you know everything about Steven Spielberg's style? Think again. We've already seen and posted a shot-by-shot analysis of Jaws before (view that one here), but this latest one breaks down and analyzes the filmmaking techniques Spielberg used in one particular scene in his shark thriller classic Jaws (released in 1975). Specifically, Julian Palmer takes a look at the early beach attack scene in Jaws, where the young boy gets eaten. It's a detailed analysis (perhaps over-analysis) but includes very intelligent references that will allow anyone to understand how beautifully this scene is crafted, and just how talented Spielberg really is. There's always more to learn about filmmaking techniques from films old and new, so always keep watching.
An early look at The Making of The Force Awakens. Disney kicked things off with a bang in Anaheim with the opening panel of Star Wars Celebration, taking place this weekend in Southern California. The panel included an hour long discussion and first look at Star Wars: The Force Awakens, guided by director J.J. Abrams and producer Kathleen Kennedy. They told stories of growing up with Star Wars, making sure the fans are satisfied (in every way), the daunting task of continuing this legacy when George Lucas decided to hand it over. In the background were slides showing various behind-the-scenes production photos, including on the desert planet Jakku (or is it Jaku?). And, to be frank, we love behind-the-scenes photos. This recap comes directly from the live stream of the Star Wars Celebration opening presentation.
"Go into a shoot with a bad script, and you're in big trouble." Playing in theaters now is the new sci-fi film Ex Machina, directed by screenwriter turned filmmaker Alex Garland. Garland is making his directorial debut with this film after writing the scripts for The Beach, 28 Days Later, Sunshine, Never Let Me Go and Dredd. A few years back I met up with him for an interview about Dredd, and we talked a lot about science fiction, and how the genre pushes itself forward. I met up with Alex Garland again, this time while he was in New York City to promote Ex Machina, and we again chatted about sci-fi and how much he loves the genre. As always, it was fun to sit down and talk with Alex about filmmaking and much more. Fire it up!
You're never too old, it's never too late, to change your life, to start something new. How about becoming a feature film director? Or a screenwriter? Throughout the years we've always tried to provide some extra inspiration for our filmmaker/storyteller readers and this fine infographic is the perfect bit of inspiration to share. Nathalie at the site Mentorless has created an infographic titled It's Never Too Late To Make Your First Feature Film that takes a look at 26 filmmakers "with an international career that made their first feature film in their 30s or 40s, proving that it's never too late to start making films." Indeed. She breaks down each into 4 categories, including their age when they directed an "international breakthrough".
Maybe these should actually be real, I'd buy a few of them. "I created these VHS covers for 'april's fool day' pretending a parisian hipster named 'Stan' only watched modern films and TV series on VHS," he writes on his Tumblr. French artist Golem13 posted a full breakdown on his own blog detailing his fun creating a series of fake VHS tapes and covers for modern movies and TV shows like "Game of Thrones", "The Walking Dead", "Breaking Bad", The Grand Budapest Hotel, Wolf of Wall Street, Gravity, Interstellar and Guardians of the Galaxy. As goofy as all this sounds, these actually look pretty dang cool and I suggest taking a look at some of the photos of the vintage VHS covers below. If anything, for a quick smile + laugh.
"Isn't it strange, to create something that hates you?" With the US release of Alex Garland's new sci-fi Ex Machina just around the corner (on April 10th - go see it!), there's no better time to feature some concept art that appeared earlier in the year (thanks to io9 + CBR). Jock, a famous comic book artist/illustrator, did some concept art work for Garland's Ex Machina when it was in development, helping envision the main robot character Ava played by Alicia Vikander in the film. He tweeted out some of these images in January, and we're just seeing them but it's perfect timing as the film hits theaters here soon. That means everyone finally gets a chance to have their mind opened by the sci-fi fun of Ex Machina (here's my review).
"It belongs in a museum!" Indeed it does. Or maybe on your wall, in your living room, next to your big TV and endless collection of DVDs. Yea that's the perfect spot for this art print. Our friend Rob Loukotka, who goes under the name "Fringe Focus", has recently debuted a new print called The Desk of Dr. Jones and it's awesome. Loukotka's style utilizes very, very tall (or very wide) prints that feature lots of lush detail. This time he has decided to imagine what the desk of Indiana Jones would look like, featuring some of the famous "MacGuffins" and artifacts he has collected/stolen/interacted with at various points in his wild life.
Camera nerds and cinematographers gather ’round. A video has been uploaded to YouTube that features cinematographer Joe Dunton (Dance Craze, Checkout Girl) explaining in great detail the various lenses (and cameras) that Stanley Kubrick used as a filmmaker. It's very nerdy and seems to be an older video that is only now making the rounds; we were tipped by Filmmaker Magazine. Joe shows off and discusses a number of the various lenses, wides and zooms, that Kubrick used plus his favorite camera the Arriflex IIc. Get ready for a trip back in time, as he says most of these were popular in the 50s and 60s, but that's fine they're still great lenses. Whether you're a filmmaker or photographer or not, this is worth a quick watch.