REVIEWS

Cannes 2017: Todd Haynes' 'Wonderstruck' Inspires the Kid in All of Us

Wonderstruck Review

Do you remember what it was like to be a kid? That boundless sense of wonder, that feeling that everything could be magical? Trips to museums or big cities were the most spectacular experiences, and even though sometimes things were tough at home, you had your friends to cheer you up. Wonderstruck, the latest film from Todd Haynes (Far from Heaven, I'm Not There, Carol), is about that sense of wonder that kids have. It is, in a way, a movie for kids, about kids, but it is still enjoyable for adults as well. Especially those adults who can still remember that kid inside of us, even if he's hiding somewhere in a dark corner. The film interweaves two storylines following two deaf kids as they escape their homes and travel to New York City.

 Posted May 18 in Cannes 17, Review | Comments

Review: Ridley Scott's 'Alien: Covenant' is a Miscalculated Sci-Fi Misfire

Alien: Covenant

In 1977, director Ridley Scott made his feature debut with The Duelist, which won the Best First Film Award at the Cannes Film Festival. His next film, 1979's Alien, catapulted Sigourney Weaver to stardom and would go on to be considered one of the best sci-fi films of all time. A thriller about an extraterrestrial organism that stalks the crew of a spaceship, Alien launched a mega-franchise of movies, novels, comic books, video games, and collectibles that remains a pop culture mainstay nearly 40 years later. In 2010, Scott decided to return to the universe he helped create with Prometheus, a prequel to Alien that would explore the origins of the franchise's iconic Xenomorph creature, as well as the "space jockey"β€”the giant, elephantine extraterrestrial that briefly appears in the film as the deceased pilot of a derelict spaceship.

 Posted May 16 in Review, SciFi | Comments

Review: Gunn's 'Guardians of the Galaxy Vol. 2' is an Emotional Cosmic Adventure

Guardians of the Galaxy Vol. 2 Review

In 2014's Guardians of the Galaxy, James Gunn introduced the world to a team of miscreants and misfits forced to come together and save the galaxy. To put it bluntly, they're a bunch of a-holes. With the sequel, titled Guardians of the Galaxy Vol. 2, the latest feature from Marvel Studios, the writer-director is tasked with delivering a story that not only continues the epic and irreverent adventures of Peter Quill (Chris Pratt) and his gang of lovable weirdos, but furthers their evolution as characters as well. Set to the '70s soft rock stylings of Awesome Mix Vol. 2, the sequel picks up a few months after the first film ended.

 Posted May 3 in Marvel, Review | Comments

Review: Ben Wheatley's 'Free Fire' is a Crazy Fun and Comical Ride

Ben Wheatley's Free Fire

It's difficult to say which is sharper in Ben Wheatley's latest film, Free Fire: the bullets being fired by the nefarious characters found within or the witty jabs those characters tend to fling at one another between the continual barrage of deadly gunplay. One may kill you, but the other may actually hurt your feelings. As with his previous films, Wheatley presents Free Fire with a gleefully dark sense of humor, the ridiculousness of events playing out made all the more senseless when you take into account where everyone's mindset is at. That sense of humor – not to mention the aberrantly comical characters – washes the onslaught of violence down all the easier, though, and, with Free Fire, Wheatley once again proves to be a unique voice

 Posted April 21 in Review | Comments

Review: 'The Fate of the Furious' Delivers Insane Action and Little Else

The Fate of the Furious Review

How much can you really analyze the films of The Fast and the Furious franchise at this point? They know what they are, and the fans of these movies definitely know what awaits them with each, new entry. The formula is evident: fast cars, silly dialogue, colorful but badass characters, and family, always family. The eighth and latest entry, The Fate (F8) of the Furious, is no different from the rest, and, though the film provides an endless slew of over-the-top and impressive stunts and a complete disregard for the laws of physics, it never recreates the feeling of excitement this franchise has delivered so many times before. The motor propelling The Fast and the Furious series may not be completely out of steam, but the check engine

 Posted April 14 in Review | Comments

Review: Jordan Vogt-Roberts' 'Kong: Skull Island' is Awesomely Weird

Kong: Skull Island

Kong is back, and the beast has never been this vicious. Since the 1933 classic, King Kong, the cinematic variations on the creature have been as varied as they are impressively crafted by the film world's latest technology. The stories surrounding humans trekking to his home, Skull Island, have twirled about similar predicaments, though: they venture to the island, encounter the impressive Kong, kidnap him for display in the world of man. The giant ape deserves a shot of adrenaline, and it's director Jordan Vogt-Roberts who has come in to deliver that shot. Kong: Skull Island is a thrilling entry into the storied franchise and not only in expected ways. With energetic pacing and breathtaking visuals the film satisfies on the typical levels, but Skull Island also drops in a bit of weirdness that easily sets it apart from modern monster movies.

 Posted March 10 in Review, SciFi | Comments

Review: Jordan Vogt-Roberts' New 'Kong: Skull Island' Reigns Supreme

Kong: Skull Island

In the entire history of cinema, only a few select films are so influential, so ingrained in our popular culture, that they become a modern myth. 1933's King Kong, directed by Merian C. Cooper & Ernest B. Schoedsack, is one of those films. As the original effects-driven blockbuster and monster movie milestone, Kong has been re-imagined, parodied, and referenced countless times since first being unleashed more than eight decades ago. Each one of us has, at some point in our lives, encountered The Eighth Wonder of the World. Whether it's a remake, like John Guillermin's 1976 film, or Peter Jackson's in 2005, or a reference made in The Simpsons, The Rocky Horror Picture Show, or Jurassic Park, the legend of the colossal ape endures.

 Posted March 8 in Review, SciFi | Comments

Review: 'Logan' is Actor Hugh Jackman's Finest 'X-Men' Outing to Date

Logan Review

Australian actor Hugh Jackman looks tired playing Wolverine. Granted, anyone would give off the same level of weariness if they played the same role in nine films across 17 years, so there's very little blame to be laid at the actor's feet here. It isn't a tiredness in having to play Wolverine so often, though, that makes the fatigue so palpable in the movie Logan, the actor's latest and presumably final appearance as the most famous member of the X-Men squad. That's simply his emotional mindset being conveyed in this latest entry into the X-Men franchise, the culmination of an exhausting life for the self-healing mutant. Packing as much emotional punch as it does sci-fi, blockbuster thrills, Logan ends up being a near-perfect sendoff for the character and exactly what any fan of this series would want in a finale for the beloved character.

 Posted March 3 in Marvel, Review | Comments

Review: James Mangold's 'Logan' is Brutal, Beautiful & Heartbreaking

Logan Movie Review

Australian actor Hugh Jackman first played the character of Wolverine back in 2000 in the film that launched the modern day, comic book blockbuster - Bryan Singer's X-Men. Now 17 years later, the Academy Award-nominated actor has inhabited the character an unprecedented nine times on the big screen β€” that's more times than Roger Moore suited up as James Bond or Robert Englund terrorized Elm Street as Freddy Krueger. With Logan, out in theaters everywhere on March 3rd, Jackman and director James Mangold (of Walk the Line, 3:10 to Yuma, and The Wolverine) craft something special as a means of laying to rest Jackman's iconic role: an intimate, character-driven film that is brutal, beautiful, and deeply affecting.

 Posted March 1 in Marvel, Review | Comments

Berlinale 2017: 'Wilde Maus' Amusingly Profiles a Critic's Breakdown

Wilde Maus Review

There's nothing like watching someone breakdown completely. Wilde Maus, which translates simply to Wild Mouse, is a dark comedy film from Austria which premiered at the Berlin Film Festival. Austrian actor Josef Hader makes his feature directorial debut with the film, also writing the screenplay and starring as the lead character, a music critic from Vienna who loses his job after 20 years. The film follows Hader as Georg, who goes bonkers and starts wandering around Vienna trying to make sense of his life after losing the job that kept him focused for so long. He ends up creating some unnecessary problems with his wife, and randomly partners with a guy who wants to run a little rollercoaster at Vienna's Prater amusement park.

 Posted February 22 in Berlinale, Review | Comments

Berlinale 2017: Mangold's 'Logan' is an Excellent Wolverine Western

Logan Review

Let's make this clear right at the start - this is not another Marvel Studios movie. Logan is a stand-alone, outstanding, one-of-a-kind X-Men movie made for adults. It's violent as all hell, emotional and captivating, gritty and grounded, and exciting to experience. Director James Mangold really hit a home run with this one, bucking the trend and going with his gut to deliver a superb "Wolverine Western". I had to see Logan twice at the Berlin Film Festival before writing this review, to confirm how awesome it is. I haven't enjoyed watching an X-Men movie this much in such a long time, and I'd say this is easily one of the best X-Men movies. It's not really an X-Men movie, but it actually is - there's so much mutant mythology hidden within.

 Posted February 18 in Berlinale, Marvel, Review | Comments

Berlinale 2017: Geoffrey Rush Delights as Giacometti in 'Final Portrait'

Final Portrait Review

Nothing like watching artists work. Final Portrait is a film directed by Stanley Tucci (of Blind Date, The Impostors, Big Night previously) starring actor Geoffrey Rush playing the famed Swiss artist Alberto Giacometti. If you don't know who Giacometti is, it's better to get acquainted with him and his incredible sculpture work before getting into this film. Final Portrait tells the story of, literally, his final portrait as an artist - a painting he did of an American novelist who was visiting Paris, where his studio was, in the 1960s. The film has a small, intimate feel to it exploring the pained life and quirky antics of a great artist, which is becoming increasingly common these days (e.g. Inside Llewyn Davis, Maudie, Mr. Turner, Love & Mercy).

 Posted February 17 in Berlinale, Review | Comments

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