REVIEWS

Fantastic Fest Review: Don't Mess With Keanu Reeves in 'John Wick'

John Wick

When it comes to action movies, the good ones seems to be few and far between nowadays. Not only do they lack interesting characters and coherent stories, but the action just sucks, it's never good, it's shot poorly. Thus I must admit that it is completely refreshing to come across an awesome action movie that delivers, yet doesn't try to over deliver. John Wick starring Keanu Reeves as John Wick is the latest movie to join the pantheon of great modern action movies (in the last 10 years), including The Raid 2, Kick-Ass, Crank, Shoot 'Em Up, Wanted (just a few that came to mind while watching this). It's nearly perfect, and is the kind of pure action I've missed. Just a man, his guns, endless henchman, and tons and tons of headshots. Oh yes.

 Posted September 20 in Fantastic Fest 14, Review | Comments

Fantastic Fest Review: 'Cub' an Envelope-Pushing Horror Fan's Dream

Cub Review

We may have a winner for this year's foreign-language, horror film that's allowed to push the envelope in all the right ways. Cub (or Welp in its native country of Belgium) comes to us from first-time feature director Jonas Govaerts, who has crafted a canny yet unsettling slasher film for a whole new wave of horror fans. Disturbing from the outset, Cub delves deep into the human psyche, satisfactorily delivering violent and sexual tropes you might expect. It all gets splashed with a fresh coat of paint courtesy of some extremely atmospheric tone and a no-nonsense attitude in its vividness. Put succinctly, it's not for the casual camper.

 Posted September 19 in Fantastic Fest 14, Horror, Review | Comments

Fantastic Fest Review: 'Dead Snow 2' a Masterpiece Theme Park Ride

Dead Snow 2

There's not a lot more you can do with the Nazi zombie premise, right? Fortunately, that's not a question Tommy Wirkola bothered to ask. The Norwegian writer/director blazed into the genre scene with his 2009 insta-cult hit, Dead Snow, a film whose basis cries out to be loved by horror fans "in the know." Its black-humor attitude and ultra-gore paving the way for it to be crowned the new Evil Dead. If Dead Snow is Wirkola's Evil Dead, Dead Snow 2 is definitely his Army of Darkness. A wild, often hilarious romp that casually tip-toes between genres, it takes its own mythos and expands them into something truly awesome.

 Posted September 19 in Fantastic Fest 14, Horror, Review | Comments

Fantastic Fest Review: Kevin Smith's 'Tusk' is a Goofy, Shock-Comedy

Kevin Smith's Tusk

The ups and downs of filmmaker Kevin Smith's career would certainly not discount the strangeness of his latest film, Tusk, a body sci-fi/horror/comedy. The weird premise he and SModcast co-host Scott Mosier developed on the fly seems in Smith's stoner wheelhouse. It comes off, however, like a half-baked comedy, a flatly crafted horror feature, and a dully-paced, sometimes amateurish film that never lives up to the high points of what the writer/director has given us in the past. Nothing about Tusk gels well, all the more shameful when taken into consideration how much potential there is in its marijuana-induced design.

 Posted September 18 in Fantastic Fest 14, Review | Comments

Review: Wes Ball Delivers with Engaging 'The Maze Runner' Adaptation

Wes Ball's The Maze Runner

What do we do? How do we get out? Sometimes I love going into a film without knowing anything about it, without knowing about or having read the book, without knowing the plot aside from whatever glimpses have appeared in trailers. Usually, if the film is compelling, and everything is laid out in a coherent way that builds properly, this can lead to an incredible experience involving suspense wrapped around mystery. The Maze Runner is an awesome, suspenseful movie that shows how easily a director can step up and compare to other "big" adaptations by focusing on telling a good story. I must admit that I haven't read the book and went into this fresh, but it was still a fully entertaining and engaging experience. Wes Ball is the real deal.

 Posted September 16 in Review, SciFi | Comments

TIFF 2014: Baldvin Zophoníasson's Icelandic Drama 'Life in a Fishbowl'

Life in a Fishbowl

"What is light without dark?" Every once in a while I come across something so unique, so refreshing, so exciting to watch that as soon as the lights come up I immediately want to start raving and telling others about it. This is one of those films, and I hope I can bring some additional attention to it. Thanks to a tip on Twitter from filmmaker @DarrenAronofsky, I caught an Icelandic film called Life in a Fishbowl, from director Baldvin Zophoníasson, an ensemble feature premiering at the Toronto Film Festival. Amidst all the darkness, death, stress, and horribleness in this world, here is a story that finally has some optimism to it.

 Posted September 12 in Review, TIFF 14 | Comments

Review: Tom Hardy Makes 'The Drop' a Slow, Dark Ride Worth Taking

The Drop

Tom Hardy tackles yet another awkwardly-spoken eccentric (with something of a dark edge) in The Drop, and, once again he hits the role hard. That is to say, he owns it, and the crime drama elevates to something endlessly watchable with every line he speaks and every twitch his eye gives. With a screenplay from novelist Dennis Lehane and execution in guile from director Michaël R. Roskam, The Drop delivers a powderkeg of subtle intensity, suspenseful in all that it does and doesn't do. Though Hardy shines past every distinct aspect the film brings, the solid drama sprinkled with a dusting of violence makes for a fine thriller.

 Posted September 12 in Review | Comments

TIFF 2014: Travolta is Back in the Game in Philip Martin's 'The Forger'

The Forger TIFF Review

In the last decade, John Travolta hasn't really done much work that stands out. He's either a menacing villain who doesn't amount to much, a wacky goofball, or some other weird character that just doesn't seem to work. Finally, after all this time, he's in a role where he can really prove himself again and it's a fine film, with an excellent script and solid performances all-around. From a screenplay by Richard D'Ovidio, the film is titled The Forger, directed by Philip Martin (Emmy-winning TV director making his feature debut). It premiered at the Toronto Film Festival where I randomly caught a screening, despite not knowing anything about it or the director going in. I was thoroughly entertained and mostly impressed by the film's dialogue.

 Posted September 10 in Review, TIFF 14 | Comments

TIFF 2014: Charmed by Studio Ghibli's 'The Tale of Princess Kaguya'

The Tale of Princess Kaguya

As a die-hard Studio Ghibli fanboy, I always feel like I'm way behind when I finally see the latest film they originally released a year ago in Japan. But I'm so glad I finally caught up with Isao Takahata's The Tale of Princess Kaguya, originally released in Japan in November of 2013, but just now making its way to North America thanks to the Toronto Film Festival. I'm even happier I saw the original version with Japanese dialogue and English subtitles, the way it was meant to be seen, rather than the dubbed version coming up for the US. It's a wonderful film, incredibly charming and so much fun to watch. Of course, the animation is remarkably beautiful, unlike anything I've seen before - hand-animated to look like old watercolor scrolls.

 Posted September 9 in Animation, Review, TIFF 14 | Comments

TIFF 2014: Redmayne Shines as Hawking in 'The Theory of Everything'

The Theory of Everything

This year there seems to be a number of outstanding films about the struggles of the most intelligent people in recent history. At the Telluride Film Festival, I was blown away by The Imitation Game (read my review), which told the story of English mathematician and code-breaker Alan Turing, who was medically castrated for homosexuality after helping crack the Nazi’s Enigma code during WWII. At the Toronto Film Festival, I was just as impressed with The Theory of Everything, which tells the story of English cosmologist Stephen Hawking, who lost control of the his muscles in his body due to motor neurone disease, yet still wowed the world with his mind. The Theory of Everything has some issues, but is still a very powerful film.

 Posted September 9 in Review, TIFF 14 | Comments

TIFF 2014: Edward Zwick's 'Pawn Sacrifice' Reexamines Bobby Fischer

Pawn Sacrifice

Ever since first seeing Searching for Bobby Fischer when I was a young kid, I've been intrigued by chess grandmaster Bobby Fischer and the very odd life he lived. While a few other films have been made about him, or the brilliant game(s) of chess he played, I haven't come across too much that has covered his life or dramatized it in a way that has provided this much depth. The latest film from Edward Zwick (of Legends of the Fall, The Last Samurai, Blood Diamond, Defiance), titled Pawn Sacrifice, was once in the works with David Fincher at the helm, and stars Tobey Maguire as Bobby Fischer telling his life story from young chess prodigy to grandmaster and world champion. It's a solid reexamination of an eccentric historic figure.

 Posted September 8 in Review, TIFF 14 | Comments

TIFF 2014: Wild, Wacky, Grotesque Walrus Fun in Kevin Smith's 'Tusk'

Kevin Smith's Tusk

What did I just see?! Beloved/hated filmmaker Kevin Smith has returned to the Toronto Film Festival this year to premiere his latest film Tusk at midnight, an unlike-anything-else creation straight out of the mind of Kevin Smith, and it's ridiculous. By now most people are familiar with the cult horror Human Centipede, where a sick doctor surgically links humans to create a disgusting "human centipede". But what if some sick individual wanted to create a walrus out of human? Is that man funny, or interesting, or totally insane? How about a bit of everything. Tusk is cult horror comedy done right, with silliness creeping around every corner.

 Posted September 7 in Horror, Review, TIFF 14 | Comments

TIFF 2014: Jason Reitman Reaches Deep in 'Men, Women & Children'

Men, Women & Children Review

"That's here. That's home. That's us. On it everyone you love, everyone you know, everyone you ever heard of, every human being who ever was, lived out their lives." This is where we live, all of us, on this pale blue dot floating in the Milky Way. Jason Reitman's latest film, Men, Women & Children adapted from Chad Kultgen's novel of the same name, is framed within the context of Carl Sagan's timeless quote called "Pale Blue Dot" and the Voyager spacecrafts that we launched in 1977. Men, Women & Children is Reitman's most sensitive work yet, a deeply moving, sensual film about all of us on this planet. I've been a fan of Reitman for a longtime, and still love his early work, but he seems to keep getting more mature with every film he makes.

 Posted September 6 in Review, TIFF 14 | Comments

TIFF 2014: Mia Hansen-Løve's 'Eden' Feels Like Daft Punk's 'Boyhood'

Mia Hansen-Løve's Eden

As human beings we live in a universe where time is constantly ticking, the world never stops turning, and we're all constantly moving, whether we like it or not. Before we know it, 5 or 10 or 20 years pass by and we don't even have the ability to pause and look back, to reflect on what has happened and why. Why did we make this choice? How did we end up here? Films like Boyhood are able to capture that relentless progress in an immensely beautiful way, showing how the little moments inbetween make up more of our life than all the big ones we live for. Following in those footsteps, French filmmaker Mia Hansen-Løve has created her Boyhood, a film called Eden back looking at 20 years in the life of a French house/garage DJ named Paul.

 Posted September 6 in Review, TIFF 14 | Comments

FEATURED POSTS

GET MORE NEWS

Subscribe to our feed or daily newsletter:
Follow Alex's main profile on twitter:
For the news posts only, follow this acct:
Add our feed to your Feedly: follow us in feedly
Subscribe to me on YouTube for interviews 

POPULAR COMMENTS

NEWEST PODCAST

FACEBOOK + LINKS