Some brief international teaser trailers just surfaced for the intriguing sci-fi flick Young Ones, which debuted at the 2014 Sundance Film Festival, and now a short teaser trailer for the film's release in the United States has arrived, showcasing more of the cool desert landscape that director Jake Paltrow has created. The post apocalyptic film has flares of Steven Spielberg with hints of Mad Max, and a sweeping, grand score, complete with a truly incredible cast that features Michael Shannon, Dakota Fanning, Kodi Smit-McPhee and Nicholas Hoult. This is what indie sci-fi strives to be, and it's very cool. Watch!
What a lovely day, indeed! Down here in San Diego, where Comic-Con kicks off tonight, it is a very lovely blue sky day. Warner Bros is unleashing artwork for the three big movies they're promoting here at the Con. Earlier we ran the first poster for The Hobbit: The Battle of the Five Armies, now we have the teaser poster for George Miller's Mad Max: Fury Road. This movie has been delayed for so many years, with filming taking place down in Australia back in 2012. Tom Hardy stars in this along with Charlize Theron, Rosie Huntington-Whiteley, Nicholas Hoult and Zoë Kravitz. This is just a teaser poster, and we expect a trailer this week too, so it's nothing epic but does look cool. Check out this first look and hold out for more.
"A female captain?" Say what? The first trailer for a goofy sci-fi 70's spoof called Space Station 76 has debuted thanks to Entertainment Weekly and it's as bad as you would expect for a trailer that debuts on Entertainment Weekly. Despite a solid cast, including Patrick Wilson, Liv Tyler, Marisa Coughlan, Matt Bomer, Jerry O'Connell and Kylie Rogers, the jokes fall flat, the dialogue is atrocious, and this looks more like bargain bin crap than a worthy spoof. Seriously, it looks terrible. But maybe it wasn't made for everyone. Take a look below at a 1970s version of the future, where personalities and asteroids collide.
Nearly a year ago, word came that Warner Bros. was reviving their efforts to turn the iconic Japanese anime Akira into a live-action film again. The studio was working on bringing Unknown director Jaume Collet-Serra back into the fray to direct the film with an eye towards beginning production in early 2014. But that time frame has come and gone, and here we are in the middle of summer with no update. That is until a small blurb in Deadline (via The Playlist) popped up recently which says Dante Harper, who wrote the initial script for Edge of Tomorrow (also originally a Japanese property) has been working on the script.
The low key release of Snowpiercer is finding a pretty decent size audience after getting a release in limited theaters two weeks later, followed by a wide release and availability on nearly all VOD platforms last weekend. It's turned out to be a pretty big hit with Thompson on Hollywood learning from Harvey Weinstein, who battled with Bong Joon-ho over the final cut, that the film has pulled in $2 million in just one week from VOD releases. That's the kind of stuff that keeps changing the face of distribution. Now to explore the film and see what everyone is talking about, here's a video essay analyzing the film very well.
Change the way you remember. If you're looking for something a bit different than all those Hollywood movies in theaters right now, then spend 12 minutes watching this short film titled Streamline. Directed by FS contributor Dan Marcus, the sci-fi thriller is about a man haunted by traumatic memories who's also being pursued by guys in grey outfits. It borrows a bit from Eternal Sunshine and the Spotless Mind, and has some Chris Nolan/Inception vibe going on, but it's a solid thriller with some sleek camerawork. It moves swiftly, and while the VFX aren't perfect, it's an intriguing indie sci-fi short to make you think. In full below.
"I need your help finding my dad." Here's something cool to add some oomph to your day - a short proof-of-concept video for a futuristic, sci-fi, robot action project called BotWars, from Alex & Steffen. The title at the end says "J.V. Kade's" BotWars referencing the novel it's based on, but this is actually a production by Alex Kiesl and Steffen Hacker, two German guys, with a number of talented VFX artists out of Germany making this look great. I was sent the video by another guy in VFX, who said he's "amazed at what these guys have achieved. Lovely use of new tech too with the flying cam," too. Check this out - I'd see the movie.
"If there's a way to defeat Godzilla, we need to know." He lives. Found in the middle of Tokyo, Japan is an awesome 6.6 meter (~21.7 feet) "replica" of the King of Monsters from Gareth Edwards' Godzilla, where the film just hits theaters there (quite late) on July 25th this summer. The rather impressive sculpture features nearly life-like details, including a tail coming out of the ground and extending a bit behind, plus check this out: "the 'Midtown Meets Godzilla' project is in collaboration with the Japan release of the Hollywood film version of 'Godzilla', the Godzilla built on the lawns of Tokyo Midtown will host a light show everynight complete with mist, audio and fire rays." Get out of here, I need to see this! This is so cool.
Way back when filmmaker Duncan Jones was just getting his career going, after Moon but before Source Code, there were rumblings that he was working on another original sci-fi project titled Mute. We wrote about it off and on for a few years before, in late 2011, we had to report that the project was stalled and he went onto other things. Eventually he got the job to direct the World of Warcraft movie for Legendary, and is now finishing up that (due for release in March of 2016). Well, the filmmaker recently posted a tweet via his account @ManMadeMoon hinting that he might give "Mute one more push" after finishing up Warcraft.
"This mission is too important for me to allow you to jeopardize it." This past weekend, at the Museum of the Moving Image in Queens, New York City, I experienced the spectacular - Stanley Kubrick's seminal sci-fi masterpiece 2001: A Space Odyssey projected in 70mm. The film first hit theaters in 1968, but is touring again as a 70mm restored version, which first hit in 2001/2002. The theater was sold out, every seat filled, the audience awe-struck in total silence for most of the entire movie. Words cannot really describe this kind of cinematic event, as it is truly an experience, one that will "dominate and overwhelm the viewer", as Ebert wrote in one of his posts on seeing 2001 in 70mm. It is that enveloping, but that's what makes it awesome.
"A soldier without a war is just a man." We're always on the hunt for unique short films that might have something new to offer, and this may be one to take a closer look at. One of the many shorts premiereing at the Film4 FrightFest in London is The Last Man, from up-and-coming filmmaker Gavin Rothery who is making his directing debut after working as visual effects supervisor / concept artist / graphic designer on Duncan Jones' stellar sci-fi Moon. The teaser trailer doesn't reveal that much at all, but does hint at a bleak rain-soaked futuristic world where only one man remains to fight some kind of other-worldly force. Enjoy.
Now that you've seen it, what did you think? "Apes strong together." Now in theaters everywhere is Dawn of the Planet of the Apes, the sequel to the Planet of the Apes reboot from 2011 called Rise of the Planet of the Apes. Directed by Matt Reeves (Cloverfield, Let Me In), this latest Apes movies introduces us to a new set of humans: Jason Clarke, Kodi Smit-McPhee, Keri Russell and Gary Oldman. Caesar is back, once again played by Andy Serkis, with Toby Kebbell as Koba. Does it live up to Rise? Is it one of the best sequels ever? Once you've seen it, post a comment with thoughts on Dawn of the Planet of the Apes.
While director Darren Lynn Bousman has stuck with the horror genre directing the second, third and fourth films in the Saw franchise, along with cult favorites like Repo! The Genetic Opera, this time he's looking to venture into sci-fi. THR has learned that Bousman is attached to an indie sci-fi project called Apex set up at 2511 Productions. The film is described Predator meets Call of Duty, which mashes up the right properties to get plenty of dudes interested. The story follows a Special Ops team sent to obtain a WMD from North Korea that is transported to another world, forcing them to face a dangerous alien race.
"We're such little creatures. Poor humanity's so fragile, so weak. Little, little animals." So said Edward Chapman at the end of H.G. Wells' 1936 sci-fi, war, epic, Things to Come. Wells' animal reference in regards to human beings falls under both fact and metaphor. We are all animals, but something darker, more vicious, seems to always be growing at the heart of this humanity we call ourselves. It wouldn't be until 1968 that the animals or, in this case, apes would really take over the world. Planet of the Apes was a cultural phenomenon that I really don't need to tell you about, a shock-wave of a franchise that would only need a little time before it sprung into action once more. We never expected the franchise would return like this.