Kevin's Review: The Fall - A Perplexing Descent into the Amazing

May 9, 2008

There's a point in Tarsem Singh's second feature film where crippled, thirty-something Roy Walker asks five-year-old Alexandria, "Are you trying to save my soul?" Such a weighty question put to such a naive child makes for a truly confusing, yet beautiful scene - a sequence that speaks as much to the writer-director's talents as to his shortcomings in The Fall. The question is dim and tragic, fitting with the film's portrayal in the trailer. The Fall seemed a brilliantly dark children's tale of adventure, with visuals that would make National Geographic jealous. While the cinematography simply blows you away, much of the story grows into a much less stimulating experience.

Many of the bold storytelling sequences are are peppered with childlike silliness, which is oddly juxtaposed against ghoulish depictions of death and tragedy. Nevertheless, not exclusively dedicating itself to either side gives the film an unexpected, unique flavor -- something like chilis and chocolate -- that is satisfyingly complex. Put together, the story and cinematography is an artful experience that is rare in its quality and, considering this is the director's second feature in nearly a decade, equally rare in quantity.

One of the many scenes shot in lavish locations with vibrant colors that make up Tarsem Singh's The Fall.The Fall Review

The story opens in 1915 with a vivid sequence of events done entirely in black and white, paced by an amazing score. It's as if Tarsem is showing off out of the gate. The scene presents the events that lead Roy Walker (Lee Pace) to his bed in the hospital. Performing in a movie, Walker falls from his horse and is left paralyzed. As he languishes in the hospital, Walker decides that he wants to kill himself, but is obviously less than able to do so on his own. So he enlists the help of little Alexandria, drawing her in with "an epic tale of love and revenge." He rations the story in exchange for a favor or two, most importantly stealing him a bottle of morphine.

As Walker paints the fantastic tale of the Black Bandit, the former slave, the gunpowder expert, the Mystic and Charles Darwin and their quest to exact revenge and kill the evil Governor Odious, Tarsem creates a vivid, colorful world like no other. The scenes are nearly exhausting to take in. Trying to process how the director managed to discover a particular landscape and then place the characters there alone for a powerful, solitary scene is tiring, to say the least. As it turns out, it wasn't easy for Tarsem either. The environments of Walker's epic tale took more than 10 years to scout and it depicts more than 18 countries. The appropriate response here and throughout many a scene in the film is simple, jaw-dropping awe.

The visuals are incredible yet not unanticipated given Tarsem's freshman effort, The Cell, back in 2000; that film makes a Marilyn Manson music video look like finger painting. It's surprising, then, that the meticulous environs are nearly overshadowed by the stunning performance of a young Cantinca Untaru, who plays Alexandria, a wobbly five-year-old with a broken, propped arm and missing front teeth. The girl is painfully adorable and delivers such natural, touching scenes when she and Pace sit in bed and simply chat. Her effortless performance, however, stems not from natural talent alone, but craftiness on the part of Tarsem. At the time, Pace was largely an unknown actor. Prompted by some unintended miscommunication, the director let the cast believe that the he was actually a cripple. "Nobody but me, my brother, the costume person and two executive producers knew he could walk… People would have reacted differently if they had known." Such are the wonderful illusions and constructions that Tarsem presents throughout The Fall.

Lee Pace and Catinca Untaru as Roy Walker and Alexandria in Tarsem Singh's The Fall.The Fall Review

While certain elements border on the profound, a good part of the plot has trouble--namely, Walker's tale to Alexandria, which is the most engrossing element of the film. The story is centered on revenge, love and death, which is not exactly "Thomas the Train." Yet with this grown-up material in place, childlike devices pervade that serve to hollow out the tragedy and weight. The Black Bandit, for instance, has his fingers crossed during a pivotal moment in the story, undoing what would have been an amazing climax. Just as you start to immerse yourself in the dark tones, some stiff line of dialogue or a juvenile piece of humor crops up, which feels like the equivalent of turning on a light. While the real-world story of Walker and Alexandria in the hospital is executed exceedingly well, the fantasy half seems a might inebriated, swaying back and forth between the serious and immature.

The Fall premiered at the Toronto International Film Festival back in 2006 and sadly has sat for some time as a result of mixed initial impressions. That is until directors David Fincher (Fight Club, Zodiac) and Spike Jonze (Being John Malkovich, Where the Wild Things Are) both lent their support for a limited domestic distribution. The Fall is certainly a metered piece of art that will not connect with some. But if you have a curious mind and appreciate the narrative for its creativity, scale and sheer audacity, you just might fall for it as well.

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I def wanna see this bad!!!

REAL6 on May 9, 2008


i hate limited release

Jont on May 9, 2008


Kevin where did you see it?

Heckle on May 9, 2008


I was able to see it as part of the DC Film has a broader distribution as of May 30, however. hopefully folks can catch it. it's really amazing. I can't wait to see it again!

Kevin Powers on May 9, 2008


Is there a listing of places this is showing at? Please let there be one in Chicago...

jason_md2020 on May 9, 2008


Kevin. Do you think that it will be shown in many other cities. Would that hinge on the numbers of the first limited release. Secondly do you think there is a chance something like netflix or blockbuster would pick it up? I have to see it

Blake on May 9, 2008


It was perhaps the most amazingly beautiful and moving thing i have seen this year.

Avery on May 11, 2008


I screened it and loved it but it is hard to market art films. Your opinion is close to spot on but TMI and as far as "fantasy half seems a might inebriated, swaying back"- Hello, he's doped up. When it is released I will see it again, I found it incredible.

n leissner on May 12, 2008


hey #5, there doesn't seem to be a final list for distribution as of yet, but Chicago is on the version I've seen. and #6, I bet money that Netflix would pick this up, sure. as of May 30, it looks like The Fall might be coming to 20+ cities. Can't wait to see it again!

kevin on May 12, 2008


I saw it at the Arclight in Hollywood last night. Really amazing. I was surprised that as wonderful as the visuals were, The little girl really does steal the show. One of the most natural performances I have ever seen.

chris c. on May 19, 2008


I love this movie! In Indonesia, they screened it in Jakarta International Film Festival and Indonesia Screamfest. But then, they screened it in theatres for months 🙂 Lucky Indonesians! 😀

Alanda on May 21, 2008


From Roadside Attractions: The Fall RELEASE DATES: State: City: Date: Theatre: Illinois Chicago May. 30, 2008 Landmark's Century Centre Cinema Massachusetts Cambridge May. 30, 2008 Kendall Square Cinemas, Cambridge Massachusetts North Falmouth May. 30, 2008 Nickelodeon Pennsylvania Philadelphia May. 30, 2008 Ritz at the Bourse Washington Washington DC May. 30, 2008 E Street Cinema

Celia on May 21, 2008


i heard about this film about 2 weeks ago and since there i've been trying to track it down do you know anything about whether it's coming out in england? i so need to see this film

mhairi mac. on Jun 25, 2008


The film is supposed to be coming out officially in the UK in August. This is a beautiful movie and I didn't find it perplexing or soupy in the least. I suppose the sugary scenes are the ones viewed through the child's eyes. But I like his vision on her point of view. When Alexandria is told a story about an Indian and his squaw, the child (and us) sees a man from India - the only image of an Indian she knows. The weaving between adult story and a child's interpretation is not something made to examined heavily - kid's tales can easily have holes picked in them. When Roy asks Alexandria if she is saving his soul, she is busy feeding him the eucharist wafers that she's stolen from the chapel. He makes a joke of it - and she laughs. The scenes with the little girl were all improvised - if the question didn't bother her, it shouldn't bother anyone else!

Sofia on Jul 8, 2008


I absolutely love the review on this site but as a big fan of The Fall, I feel like this one somewhat missed the mark in some places. While I agree with almost everything that was said, I feel like the parts of the "fairytale" half of the story that the reviewer are calling into question are totally justified by the story. They don't occur until the line between the story and reality is well past blurred and are fully explained by the push and pull that is going on between Roy and Alexandria over the outcome of the story. Which is now as much hers as it is his. I thought The Fall is one of the best movies I've ever seen and I'd encourage anyone to see it. Twice.

Jake Krauss on Apr 3, 2009

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