Oscars Disqualify Clint Mansell's Score for 'Black Swan' & Others
While it does seem like quite an injustice, the ruling isn't all that surprising. Award Central is reporting that several motion picture scores have been disqualified from being considered for the Oscar for Best Original Score. In all cases, it's not a lack of quality, but rather an abundance of unoriginal music. The four films that will not be getting an Oscar love include Clint Mansell's haunting yet beautiful score for Black Swan, Carter Burwell's compositions for True Grit and the less prominent scores for both The Fighter and The Kids Are All Right. For details on why these scores have been disqualified from awards contention, keep reading below.
In the case of Black Swan and True Grit, they have both been excluded because they exist as "scores diluted by the use of tracked themes or other pre-existing music." Black Swan is adapted from Tchaikovsky's Swan Lake, and no matter how much creativity and beauty his score brought to the film, it's simply not "original" enough. The same can be said for True Grit which apparently bases most of its music on 19th century hymns and is therefore not sufficiently "original" as well. On the other end of the spectrum, apparently The King's Speech, which raised concerns because of prominent unoriginal classical-music excerpts, has been deemed eligible for the awards.
Meanwhile, both The Kids Are All Right (also composed by Burwell) and The Fighter (composed by Michael Brook) have been disqualified as scores that are "diminished in impact by the predominant use of songs." Since both of the film use various songs that make up more of a soundtrack than the motion picture score, these films apparently don't have enough music composed specifically for the film to be considered for an Oscar. With several Best Picture contenders' scores out of the running, it's open season for any other composers to get the award this year. Maybe Alexandre Desplat will get two nominations for both The King's Speech and Harry Potter and the Deathly Hallows: Part I. Anyone disappointed by this news?
Reader Feedback - 24 Comments
Sounds fair to me. Rules are rules.
Knawx on Dec 21, 2010
It all sounds reasonable. I would rather know who will be nominated. I surtain Inception will be one of the nominees and maybe TRON Legacy too.
Harry on Dec 21, 2010
lane on Dec 21, 2010
Agree. And if you ask me, the Inception soundtrack with all its dramatic aspects, is the one I remember the most during 2010...
leinergroove on Dec 21, 2010
trent reznor will win
nelson on Dec 21, 2010
#6 I agree. His score was amazing, it should come down to TSN and Inception!
Cruzer on Dec 21, 2010
#7 has it right. Just a two horse race. Zimmer vs. Reznor
Eldivo23 on Dec 21, 2010
Make way for Daft Punk. Most original by far.
Madex on Dec 21, 2010
It's between Inception and Tron Legacy for me.
Garrett on Dec 21, 2010
The Inception soundtrack has some very brief bars from Édith Piaf song "Non, je ne regrette rien". It's not just in the film it's actually in the soundtrack. I know it's very brief in the soundtrack but that song is a very big part of the film.
Day on Dec 21, 2010
The music branch has always struck me as odd. Yes, rules are rules but you know what, this is too much. Is a lot of the music based off of Hymns in the case of True Grit? sure, but the original stuff thats there (I hear more than half the music) is original, and in the end shouldn't that be the only concern of the branch?
Al on Dec 21, 2010
I say the same Inception and Tron Legacy
Oh chimy mime on Dec 21, 2010
Aim fine with the original score category but I really wish original song was no longer a category.
Moon on Dec 21, 2010
Zimmer gave us the song "Time" this year. Inception all the way.
Cody w on Dec 21, 2010
As much as I'd love to see Trent Reznor win an oscar for the amazing score him and Atticus Ross produced, if True Grit is disqualified for a few hymns, then Social network could just as easily be disqualified for its use of Hall of the Mountain King
Curt on Dec 21, 2010
i think its lame how people go right for the best pictures when they look for who to nominate for best score. the inception and the social network scores were great but the book of eli and shutter island scores were just as good
rowdy on Dec 21, 2010
I liked the soundtrack for Cyrus, actually the tune Jonah Hill plays in it is legendary. Fuck yer Tron. Inception kept me thinking that my hearing aid was broken, with all the eeennnnnggghhh, eeeeeennggggggh eeeeeeeeenggggghing all the way through.
Crapola on Dec 21, 2010
BOB on Dec 22, 2010
Damn. I gotta choose between Daft Punk and Reznor. This is hard...
jasonmd2020 on Dec 22, 2010
Consecutive Oscars for AR. Rahman anyone? 127 Hours wouldn't have worked without the haunting soundtrack!
oscar_winner on Dec 22, 2010
It's between Zimmer for Inception or Reznor for Social Network. I'll be pissed as hell if anyone else aside from either of those two win.
Tim on Dec 22, 2010
Does not matter.....OSCAR goes to DAFT PUNK
dawko on Dec 23, 2010
Josh on Dec 23, 2010
Daft Punk by far!!!!!!
Richard on Jan 1, 2011
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