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Co-directed by Roger Allers and Rob Minkoff, Disney’s 1994 animated movie The Lion King won Academy Awards for original score (Hans Zimmer) and the original song "Can You Feel the Love Tonight" (by Elton John & Tim Rice), as well as the Golden Globe Award for Best Motion Picture – Musical or Comedy. In 1997, the stage production made its Broadway debut, winning six Tony Awards; 22 years later, it still remains one of Broadway’s biggest hits, recently marking its 9,000th show. The beloved Disney classic also inspired two direct-to-video follow-ups – The Lion King II: Simba's Pride (1998), and The Lion King 1½ (2004) – and two television series, Timon and Pumbaa and The Lion Guard. Now, after the critical and financial success of 2016's The Jungle Book remake, director Jon Favreau is utilizing the same photorealistic computer animation technology to re-tell the story of The Lion King for contemporary audiences in an immersive way.
Serving as both an effervescent epilogue to the weighty and momentous Avengers: Endgame and a thrilling prelude to the next phase of the Marvel Cinematic Universe (MCU), Spider-Man: Far From Home is an exceedingly fun, action-packed cinematic spectacle that – like its titular web-slinger – is propelled by heart, humor, and heroism. In the aftermath of Endgame, which reversed Thanos' dusting actions and brought Peter Parker (Tom Holland) – and billions of others – back to life, Peter continues to mourn the death of his mentor, whose heroic sacrifice made his return possible. When a new threat arises while on a class trip, however, Peter must set aside his grief and step up to become the hero Tony Stark always knew he could be.
Pixar's original Toy Story (1995) movie was a major milestone in filmmaking. It was nominated for three Oscars (Best Original Screenplay; Best Original Song; Best Original Score), and two Golden Globes (Best Motion Picture - Comedy or Musical; Best Original Song). Director John Lasseter won a special achievement award from The Academy "for the development and inspired application of techniques that have made possible the first feature-length computer-animated film." Made by Pixar Animation Studios and released by Walt Disney Pictures, Toy Story was a massive commercial success, launching toys (of course), video games, theme park attractions, spin-offs, and two fantastic sequels — Toy Story 2 (1999) and Toy Story 3 (2010). Now, after creating the perfect animated trilogy, Pixar & Disney are extending – and perhaps concluding – the franchise with Toy Story 4, a very weird, melancholic epilogue to the series and to childhood itself.
Written by Chris Claremont and illustrated by John Byrne, the "Dark Phoenix" saga is one of the most enduring storylines in the history of Marvel Comics. First published in Uncanny X-Men #129-138 (1980), the iconic story follows Jean Grey's transformation from gifted mutant into a god-like cosmic entity known as the "Phoenix". In 2006, screenwriters Simon Kinberg and Zak Penn adapted elements of the story for Brett Ratner's sequel X-Men: The Last Stand with mixed results. Now thirteen years later, Kinberg is taking another stab at adapting the classic tale with Dark Phoenix, the twelfth installment in Fox's seemingly-never-ending X-Men film series. A direct sequel to Bryan Singer's X-Men: Apocalypse (2016), the film is the final installment of the main X-Men saga after The Walt Disney Company's acquisition of 20th Century Fox.
In the aftermath of World War II, Japan's Toho Co., Ltd. assembled a team of filmmakers – co-writer and director Ishirō Honda, producer Tomoyuki Tanaka, co-writer Takeo Murata, and special effects director Eiji Tsuburaya – to create a new kind of movie monster. Originally conceived as a walking metaphor for nuclear annihilation, Godzilla roared onto screens in Honda's genre-defining 1954 masterpiece, Gojira. The film captured the imagination – and embodied the fears – of an entire nation. Now 65 years later, the Godzilla series is fully recognized by Guinness World Records as the longest running film franchise in history with a whopping 35 films starring the titular beast. The latest entry, Godzilla: King of the Monsters, is the next chapter in Warner Bros Pictures' and Legendary Pictures' cinematic "MonsterVerse", following in the massive footsteps of Gareth Edwards' Godzilla (2014) and Jordan Vogt-Roberts' Kong: Skull Island (2017).
Based on the Arabic folktale Aladdin and the Magic Lamp from the book One Thousand and One Nights (aka "Arabian Nights"), plus the 1940 film The Thief of Bagdad, Disney's animated Aladdin from 1992 was the most successful movie of that year, grossing $217 million in the US and over $504 million worldwide. The hand-drawn animated film's massive success led to two direct-to-video sequels, The Return of Jafar (1994) and Aladdin and the King of Thieves (1996), an animated series for TV, and a Broadway musical adaptation. Now, after the success of other live-action Disney remakes like Cinderella, The Jungle Book, and Beauty and the Beast, British director Guy Ritchie is reimagining the beloved animated classic as a big-budget, live-action, Bollywood spectacle with flying carpets, magic genies, and a lot of wishful thinking.
Olivia Wilde. The American actress, who derived her stage name from Irish author Oscar Wilde, is best known for her roles on television series including "The O.C." and "House", and in films like Tron: Legacy, Cowboys & Aliens, Year One, In Time, Drinking Buddies, and Rush. Now, the talented star of stage and screen is working behind the camera. After directing the shorts Free Hugs (2011), Edward Sharpe and the Magnetic Zeros: No Love Like Yours (2016), and Red Hot Chili Peppers: Dark Necessities (2016), Wilde is making her feature-length directorial debut with Booksmart, an uproarious and unfiltered coming-of-age comedy that's equal parts Superbad, Lady Bird, Can't Hardly Wait, and Nick & Norah's Infinite Playlist, filled to the brim with a bevy of top-notch performances from an ensemble of young, up-and-coming stars.
With the original John Wick, screenwriter Derek Kolstad and co-directors Chad Stahelski and David Leitch created an atmospheric neo-noir thriller with exhilarating action sequences, an iconic action hero in John Wick, and an equally iconic lead performance by Keanu Reeves. The film, about an ex-assassin (Reeves) who comes out of retirement to track down the gangsters that killed his dog, earned $88 million worldwide, and thus began the John Wick Cinematic Universe™. Stahelski and Kolstad doubled-down on the non-stop, exquisitely choreographed bloodshed in the sequel John Wick: Chapter 2 while exploring the mythological, hyper-real criminal underworld John Wick inhabits. Now, with John Wick: Chapter 3 – Parabellum, Stahelski and Kolstad walk a tightrope between world-building and trigger-pulling to deliver a propulsive action flick with some of the most impressive stunts and set pieces in American action cinema.
Directed by brothers Anthony Russo and Joe Russo, Avengers: Endgame is the fourth installment in the Avengers franchise and the 22nd Marvel Studios feature to date. The 181-minute movie represents the culmination of the Marvel Cinematic Universe so far, which first began with the release of Jon Favreau’s Iron Man in 2008. Since then, Marvel Studios movies have grossed a combined total of over $18 billion worldwide over the last 11 years. The previous Avengers entry, 2018’s Avengers: Infinity War, has already earned over $2 billion at the box office, making it the fourth highest-grossing movie of all time. To say this follow-up is eagerly anticipated would be an understatement, but does Marvel's Endgame – a finale 11 years in the making – live up to the unprecedented hype and unrealistic expectations? Yes it does. And then some.
Originally based on the book written by Helen Aberson and Harold Pearl, 1941's Dumbo was the fourth animated feature film made by Walt Disney Productions, following up Snow White and the Seven Dwarfs (1937), Pinocchio (1940), and Fantasia (1940). Originally conceived as a short film, Dumbo was reworked as a low-budget feature to help recoup the financial losses of Pinocchio and Fantasia. Made for half the cost of Snow White, the 64-minute film turned a profit, earning $1.6 million during its initial release. In addition to box office success, the film garnered some critical acclaim as well, winning Best Original Score at the 14th Academy Awards. Now, 77 years later, Walt Disney Productions is re-introducing the iconic character to a new generation with a live-action remake directed by Tim Burton (Alice in Wonderland, Frankenweenie).
Myths of duplicates and alter-egos have persisted for thousands of years… In Zoroastrianism, one of the world's oldest religions, the deity Spenta Mainyu is The Holy Spirit while his "evil twin" – Angra Mainyu – is the Destructive Spirit. In Ancient Egyptian mythology, a ka is a "spirit double" with the same memories and feelings as its counterpart. Native American folklore depicts an upper world where the good people reside and an underworld where their evil doubles dwell. Today, we refer to look-alikes as doppelgängers, a German word meaning "double-walker." When it comes to cinema, numerous iconic films have tackled the phenomenon, from Vertigo (1958), Persona (1966), and Dead Ringers (1988), to more recent movies like The Prestige (2006), Black Swan (2010), and Enemy (2013). Now, Academy Award winner Jordan Peele follows up his provocative 2017 horror-thriller Get Out with a definitive take on doppelgängers in Us.
Created by Stan Lee and Gene Colan, Captain Marvel debuted in 1967's Marvel Super-Heroes #12. During the Silver Age, the name belonged to Mar-Vell, a Kree military officer who becomes Earth's protector. In the '80s, Monica Rambeau assumed the title and later became the leader of the Avengers. In the '90s, Rambeau ceded the name to Mar-Vell's son, Genis-Vell, who passed it down to his sister, Phyla-Vell, in the 2000s. In 2012, Carol Danvers, a super-heroine long known as Ms. Marvel, assumed the mantle in a series written by Kelly Sue DeConnick. That series serves as the basis for the twenty-first movie in the Marvel Cinematic Universe (MCU), titled Captain Marvel, directed by Anna Boden and Ryan Fleck, and starring Academy Award-winner Brie Larson as Marvel Studios' first stand-alone, female-franchise title character.