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Looking Back: Adam Frazier Picks His Top 10 Favorite Movies of 2020

Adam's Top 10 of 2020

Over the previous 12 months, I've seen more than 110 new releases, and I'm happy to report that it's been another fantastic year at the movies, despite not being able to actually go to the movies. Throughout 2020, we got to see new work from visionary filmmakers like Spike Lee, David Fincher, Chloe Zhao, Regina King, Lee Isaac Chung, Emerald Fennell, and Oz Perkins, whose dark fairytale Gretel & Hansel is one of the most atmospheric and aesthetically pleasing horror movies of the year. We also witnessed great performances from Viola Davis, Delroy Lindo, Frances McDormand, Chadwick Boseman, Carey Mulligan, Riz Ahmed, Gary Oldman, Elisabeth Moss, and Steven Yeun. And we were left in awe by cinematic art like Mank, News of the World, The Midnight Sky, Emma – works of impeccable craftsmanship by the cinematographers, production designers, SFX artists, and costume designers alike.

Review: Brandon Cronenberg's 'Possessor' is an Engrossing, Mind-Altering Horror-Thriller

Possessor Review

A body-penetrating, mind-controlling horror-thriller that exists somewhere between Scanners, Beyond The Black Rainbow, and Upgrade, Possessor is the second feature film by visionary writer-director Brandon Cronenberg, son of David and Carolyn. The Toronto native made his original debut with 2012's Antiviral, about a tech company that sells celebrity illnesses to obsessed fans. With the same gruesome verve as his father David — one of the originators of the body horror subgenre to begin with — Cronenberg's work often explores body modification, infection, technology, and interweaving of the psychological with the physical. With Possessor, he digs even deeper into the "new flesh" to tell a story about identity in this digital age.

 Posted October 9 in Horror, Review | Comments

Review: Dave Franco's Horror Film 'The Rental' Overstays Its Welcome

The Rental Review

Filmmaker Joe Swanberg is best known for his work in the mumblecore subgenre, writing and directing micro-budget films with an emphasis on naturalistic acting and improvised dialogue. His movies, like 2013's Drinking Buddies and 2014's Happy Christmas, are indie comedy-dramas concerned with the interpersonal relationships and the romantic entanglements of people in their twenties and early thirties. Occasionally, however, Swanberg works in the horror genre, as an actor (The Sacrament, You're Next, A Horrible Way to Die) and director (the V/H/S segment "The Sick Thing That Happened to Emily When She Was Younger," which he also starred in). Now, he's collaborating with Dave Franco on the actor's directorial debut, a film titled The Rental, which combines Swanberg's mumblecore and horror sensibilities with mixed results.

 Posted July 24 in Horror, Review | Comments

Review: Andrew Patterson's 'The Vast of Night' is Spellbinding Sci-Fi

The Vast of Night Review

"There is a fifth dimension beyond that which is known to man." With this sentence, Rod Serling first introduced The Twilight Zone to American viewers on October 2nd in 1959. The influential anthology TV series, which followed in the tradition of other shows such as Science Fiction Theatre and radio programs like Dimension X, blended fantasy, science fiction, and horror with morality tales to explore pressing socio-political issues. Over the past sixty years, The Twilight Zone has inspired countless storytellers, including Gene Roddenberry, Steven Spielberg, Stephen King, Chris Carter, M. Night Shyamalan, J.J. Abrams, Charlie Brooker, and Jordan Peele. The beloved show's latest progeny is the film The Vast of Night, the feature debut of director Andrew Patterson and also screenwriters James Montague and Craig W. Sanger.

 Posted May 28 in Review, Sci-Fi | Comments

Review: 'The Invisible Man' is a Must-See Modern Psychological Thriller

The Invisible Man Review

Actor and screenwriter Leigh Whannell and director James Wan changed the horror landscape when their low-budget sleeper hit Saw became a cultural phenomenon in 2004. After the massive success of their feature debut, the Australian filmmaking duo continued to collaborate on a series of horror films, including Dead Silence (2007), Insidious (2010), and Insidious: Chapter 2 (2013). In 2015, while Wan was behind the wheel of Furious 7, Whannell made his directorial debut with Insidious: Chapter 3, which he also wrote. His next feature, the kinetic cyberpunk sci-fi actioner Upgrade, ended up as my favorite movie of 2018. Now, the talented writer / filmmaker tackles his biggest project yet with a modern retelling of The Invisible Man, inspired originally by H.G. Wells' 1897 novel and James Whale's classic 1933 film of the same name.

 Posted February 28 in Horror, Review | Comments

Review: Cathy Yan's Effervescent 'Birds of Prey' Flies High, Rules Hard

Birds of Prey Review

Created by Paul Dini and Bruce Timm, Harley Quinn first appeared in Batman: The Animated Series in September of 1992. A psychiatrist at Arkham Asylum, Dr. Harleen Quinzel was seduced by the Joker into becoming his crazed, mallet-wielding partner-in-crime. 24 years later, the fan-favorite villainess made her big-screen debut in 2016's Suicide Squad, portrayed by Margot Robbie (seen in Bombshell, Once Upon a Time… in Hollywood, I, Tonya). While that movie, about a team of supervillains saving the world, was an incoherent and aggressively dull mess, Robbie's memorable performance all but guaranteed that we would see the character on-screen again. Enter Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn, in which Harley leads her very own girl gang into battle against a Gotham City crime lord.

 Posted February 7 in DC Movies, Review | Comments

Review: Richard Stanley's 'Color Out of Space' is a Blessing From the Beyond

Color Out of Space Review

South African filmmaker Richard Stanley made his feature directorial debut in 1990 with Hardware, a post-apocalyptic science fiction flick about a self-repairing cyborg that goes on a rampage. His second film, 1992's Dust Devil, is a kind of supernatural Spaghetti Western about a shape-shifting, hitchhiking serial killer. These low-budget genre movies, while commercial failures, showed potential and made it possible for Stanley to work on his dream project – an adaptation of H.G. Wells' The Island of Doctor Moreau for New Line Cinema (in 1996). What was meant to be the filmmaker's big break became his undoing. After years of developing the script, Stanley was fired a few days after principal photography began and replaced by John Frankenheimer. The filmmaker retreated, quite literally, into the wilderness and left Hollywood behind.

 Posted February 4 in Horror, Review, Sci-Fi | Comments

Looking Back: Adam Frazier Picks His Top 10 Favorite Movies of 2019

Top 10 Favorite Movies of 2019

Over the last 12 months, I've seen more than 125 new releases — that's over ten days in total spent watching movies — and I'm happy to report that it's been another exceptional year at the multiplex. This year, we got to see vital new work from visionary filmmakers like Bong Joon-ho, Martin Scorsese, Greta Gerwig, Quentin Tarantino, Jordan Peele, Lulu Wang, and Shin'ichirô Ueda, whose zombie comedy One Cut of the Dead is one of the most unique and refreshingly original horror movies of the year. We witnessed great performances from Awkwafina, Adam Driver, Lupita Nyong'o, Scarlett Johansson, Eddie Murphy, Florence Pugh, Leonardo DiCaprio, Jennifer Lopez, and Adam Sandler. And we were all left in awe by stunning cinematic art like 1917, Portrait of a Lady on Fire, and The Lighthouse – works of impeccable craftsmanship by the cinematographers, production designers, and costume designers alike.

Review: 'Star Wars: The Rise of Skywalker' is Strong with the Force

Star Wars: The Rise of Skywalker

Co-written and directed by filmmaker J.J. Abrams (Mission: Impossible III, Star Trek, Super 8), Star Wars: The Rise of Skywalker is the third entry in this current Star Wars trilogy featuring Rey, Finn, Poe, and Kylo Ren. It ends the trilogy also featuring Abrams' Star Wars: The Force Awakens (2015) and Rian Johnson's Star Wars: The Last Jedi (2017). The film is the final episode of the nine-part Skywalker Saga, which began in 1977 with George Lucas' iconic Star Wars, later subtitled Episode IV – A New Hope. Over 40 years later, the sprawling space saga of rebellion and romance comes to a satisfying end with a movie that is both visually stunning and emotionally resonant.

Review: Rian Johnson's 'Knives Out' is a Razor-Sharp Murder Mystery

Knives Out Review

Perhaps best known as the writer & director of Star Wars: The Last Jedi, filmmaker Rian Johnson got his big start in 2005 with the neo-noir mystery Brick. A hard-boiled detective story in the vein of The Maltese Falcon, Brick won a Special Jury Prize at the Sundance Film Festival and paved the way for his sophomore effort, 2008's The Brothers Bloom. The caper comedy-drama, about two sibling con artists, was inspired by Bogdanovich's Paper Moon and David Mamet's heist-thriller, House of Games. For his third film, Johnson continued taking innovative approaches to familiar genres with the twisty, multi-layered 2012 sci-fi Looper. Now, the filmmaker is paying homage to the works of Agatha Christie with Knives Out, a black comedy whodunnit influenced by classic mystery films like Murder on the Orient Express and The Mirror Crack'd.

 Posted November 22 in Review | Comments

Review: Mike Flanagan's 'Doctor Sleep' Film is Not to Be Overlooked

Doctor Sleep Review

In 2011, Mike Flanagan wrote, edited, and directed his first feature, the low-budget indie horror Absentia. After the success of his Kickstarter-funded indie film, Flanagan got the opportunity to adapt his own 2006 short, Oculus: Chapter 3 – The Man with the Plan, as a feature. The Blumhouse-produced Oculus made $45 million at the box office on a $5 million budget, signifying Flanagan as a unique up-and-coming voice in the genre. Then in 2016, the Salem, Massachusetts native cemented himself as a genuine horror auteur with the releases of Hush, Before I Wake, and Ouija: Origin of Evil, all three of which he wrote, edited, and directed. A year later, Flanagan was called up to the majors, first adapting the Stephen King novel Gerald's Game as a Netflix Original Film and, shortly thereafter, the critically acclaimed 10-episode series The Haunting of Hill House, based on Shirley Jackson's 1959 book. Now, the seasoned filmmaker takes on Doctor Sleep, an adaptation of King's 2013 novel of the same name, which is a sequel to his 1977 bestseller, The Shining.

 Posted November 8 in Horror, Review | Comments

Review: Survival Thriller 'Ready or Not' Packs Heat & Plays for Keeps

Ready or Not Review

Formed in 2011 by directors Matt Bettinelli-Olpin and Tyler Gillett, along with their executive producer Chad Villella, the filmmaking trio collectively known as "Radio Silence" has been working in the horror genre for nearly a decade. They made their initial debut in the 2012 horror anthology film, V/H/S, with the segment known as 10/31/98, in which a group of friends in search of a Halloween party stumbles upon an actual house of horrors. In 2014, the collective delivered their first feature, a found-footage take on Rosemary's Baby titled Devil's Due, before contributing two segments to the 2015 horror anthology film Southbound. Now, Bettinelli-Olpin & Gillett are back in feature mode with the film Ready or Not, a black comedy thriller about an eccentric wealthy family bound by a deadly, time-honored tradition.

 Posted August 22 in Review | Comments

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LAST YEAR'S TOP 10

Alex's Top 10 - 2020
1. Nine Days
2. Berlin Alexanderplatz
3. Pixar's Soul
4. Pieces of a Woman
5. Feels Good Man
6. Another Round
7. The Truffle Hunters
8. Sound of Metal
9. Lovers Rock
10. Nomadland
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Adam's Top 10 - 2020
1. Spontaneous
2. Promising Y. Woman
3. Nomadland
4. The Vast of Night
5. Blow the Man Down
6. The Invisible Man
7. Minari
8. Possessor
9. Feels Good Man
10. Color Out of Space
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