ENJOY THE SHOW
There is always something extra inviting when it comes to small villages located by the sea. Let's take one from Practical Magic. It makes you want to go there, meet all the people, it makes you feel free and happy. But it's the opposite feeling in Easter Cove, Maine presented in indie noir, Blow the Man Down. Directed and written by Bridget Savage Cole and Danielle Krudy, the film tells the story of Connolly sisters - Priscilla (Sophie Lowe), and Mary Beth (Morgan Saylor). After their mother's passing, the sisters have to figure out the way to save the house from bankruptcy and keep up with their store that Mary Margaret left them. Unfortunately, nothing goes as planned. After a run-in with a dangerous man (Ebon Moss-Bachrach), Mary Beth, with the help of Priscilla, tries to cover up his grim murder. Afterwards, both attempt to come back to their new normal; still, it's not easy, especially with the police asking questions and their mother's friends snooping around. One of them, Enid (Margo Martindale), is particularly interested in the sisters.
Sex worker, prostitute, escort. Never a woman, a sister, or a daughter. The headlines are always the same. The media, as well as law enforcement authorities, lack compassion and a genuine desire for rightful justice for women that provide sexual services. Lost Girls, directed by Academy Award-nominated filmmaker Liz Garbus (making her first narrative feature film after directing numerous documentaries including What Happened Miss Simone? and Bobby Fischer Against the World), returns to the painful, incredibly sad story of Shannan Gilbert and her mother, Mari (portrayed by Amy Ryan). The film revisits a series of unsolved murders and recreate the actions of the Gilbert family in their desperate search for answers and justice.
Just last week, I coincidentally chose to rewatch Zodiac – David Fincher's thriller from 2007. The film about the unidentified serial killer, based on the book by Robert Graysmith, is about the search for the legendary murderer. Throughout the film, there is often a mention of The Most Dangerous Game – a 1924 short story written by Richard Connell. The infamous "Zodiac Killer" was supposedly inspired by it. The story's original plot is about a big-game hunter who is hunted [sic!] by a Russian aristocrat. It has been remade into many other film and TV projects over the years. Now The Most Dangerous Game gets another contemporary update – The Hunt, which addresses a modern society that thrives on dividing and misinforming people.
Almost every person I know has had that feeling. The bloodcurdling, anxious feeling of someone watching them. No matter what, you'll always feel shivers down your back and an unsettling atmosphere that doesn't want to leave. Elisabeth Moss' character in this movie, Cecilia Kass, knows precisely how it's like to be watched at all times. The Invisible Man, based on H.G. Wells' novel, and written & directed by Leigh Whannell, brings the new meaning to that feeling. Cecilia seems to have everything. A beautiful, modern house, a generous husband, a dog. Still, something makes her abandon her life in the middle of the night. After endless psychological and domestic abuse, a distressed woman leaves her husband (Oliver Jackson-Cohen), and finds refuge at her friends' house (Aldis Hodge). But the nightmare only begins. Left with PTSD and depression, Cecilia is still tormented by what seems to be a ghost of Adrian. The woman must convince her friends and find a solution before the man (or whatever he is) utterly destroys her and her life.
Harley Quinn. Two words, many meanings, one powerful woman. The woman that she used to be in Suicide Squad is gone. Now, audiences have a chance to experience this badass lady cause some serious mayhem and teach a spoiled man a lesson. The action unfurls swiftly as Harley breezes by in her sparkling roller-skates and breaks bones. Cathy Yan and Christina Hodson demonstrate their phenomenal directing and writing skills with DC's Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn. They bestow upon us a thrilling, full of twists and turns, packed with action, entertaining movie. The tale in Harley's narrative jumps back and forth, where past blends with the present. We are introduced to all the characters in their own legendary style. The way the story is told defines the crazy, multidimensional, and complex personality of the former doctor. But before we go further, let's get back to the core plot of BoP.
When I ask around, nearly everybody knows the story of a brother and sister, who wander in the dim forest until they reach deliciously smelling house made of ginger cookies, candy, and other treats. A fairytale, as one should know, created mostly for kids to prevent them from talking and taking things from strangers – a moral teaching us a core value that we, from a very young age, can apply to daily life. Gretel & Hansel is a dark, eerie, bloodcurdling counterpart of the story we remember. A long time ago, in a land full of famine and despair, a young girl, Gretel, and her little brother Hansel, leave home, a place that they have always known. After a long and exhausting vagabond, they come across a house that's full of treats and warmth yet dark and mysterious at the same time. An elder woman who lives in the cottage allows them to stay and offers food & shelter. But, there is something wicked about the woman, and they will soon find out what it is.