ENJOY THE SHOW
I'm celebrating my 10th year attending the Cannes Film Festival, after first coming here in 2009. I love this festival, and I always love coming back, and I always say this every year. But this year, in honor of my 10th time here, I've decided to do something special. I'm giving away 10 copies of the classic Ebert book: "Two Weeks in the Midday Sun: A Cannes Notebook". Ebert wrote this book while at the 1987 Cannes Film Festival and it was first published later that year. It became lost in time, until I was introduced to it before coming to Cannes in 2014. I wrote a series of blog posts that year referencing this book and mirroring my own experiences. And I've never forgotten about it. The book was republished (with a new intro by Martin Scorsese!) a few years back and is now widely available (check Amazon) in case you want to read it yourself.
"All I want is for people to understand the human implications." Some may known him as Bill S. Preston, Esq. Others may known him as the director of the acclaimed technology documentaries Downloaded, Deep Web, The Panama Papers, and Trust Machine: The Story of Blockchain. His name is Alex Winter (you can follow him on Twitter @Winter), and he's an actor, a writer, a filmmaker, a producer, a journalist, and much more. I have become a big fan of Winter's documentaries over the years, he's one of a few filmmakers who actually understands the internet, and presents it in an intelligent and digestible way. Last year, two of his new documentaries premiered - The Panama Papers, about all the journalists who reported on the Panama Papers leak; and Trust Machine: The Story of Blockchain, about the origins and implications of blockchain (aka encrypted digital distributed ledgers), the latest technology fad that's sweeping the world.
The 2019 Sundance Film Festival has finally come to an end and to put a wrap on the fest and finalize our nearly two weeks of coverage, it's time to present our Best of the Fest list. I was able to see a total of 44 films across 10 days, but I couldn't catch everything and missed a few films getting lots of good buzz from critics (e.g. The Souvenir, Them That Follow, Queen of Hearts, Monos). I saw around 12 documentaries this year, so instead of separating docs and features this year, I decided to present one big list of my 8 favorite films - a mix of docs and features. All of these films below are worth seeing, and I highly recommend seeking them out. I am so happy that Sundance continues to program some of the best films all year, as well as more innovative, unique, challenging, fascinating, and enchanting features from all over the world. Below are my favorites, the films that stuck with me and have remained on my mind throughout the festival. Let's dive in.
"I keep feeling like big moments get stolen away from me." Another year, another Top 10 list. And although we're already well into 2019, it's never too late to share this list. It's time to present my personal list of my Top 10 Favorite Films of 2018. Admittedly, it's always a challenge for me to put together a Top 10 list, just because there's never enough time to watch (and rewatch) everything. Many of these I really wanted to see again before writing about. So I just have to go with what I feel in my gut. My top three this year are some of the most innovative, ambitious, and awe-inspiring films I've seen in a long time - and I love them all in equal measure. So I ranked them here anyway but could easily switch them around depending on how I feel each day. But I am more than happy to reveal my favorites, all the films I fell madly in love with in 2018.
Back to Sundance we go for another year of discovery. What's on the line-up this year? Out of the 110+ films showing at the 2019 Sundance Film Festival, I've chosen 10 that I'm looking forward to seeing the most. To keep things well balanced, I've chosen 5 feature films and 5 documentaries from the line-up. There are so many films playing at the fest, and so many I'll end up seeing (30+), that this is a quick list to get everyone acquainted with some of the work premiering in 2019 (I just want to go see everything). There are new films from filmmakers like Ritesh Batra and Lulu Wang, and incredible documentaries that are also worthy of our attention, plus many other films. You never really know what will good or bad, but here's my first few picks.
Over the last 12 months, I've seen more than 110 new releases — that's over nine days of time in total spent watching movies — and I'm happy to report that it's been an exceptional year at the cinema. In fact, I could probably make a Top 50 Best Films of 2018 list and still leave off a few notable titles. Just think about it – we got to see vital new work from visionary filmmakers like Steven Spielberg, Alex Garland, Alfonso Cuaron, Spike Lee, Lynne Ramsay, and newcomer Boots Riley, whose Sorry to Bother You is one of the most unique and refreshingly original movies of the year. We witnessed fantastic performances by Lady Gaga, Ethan Hawke, Rachel Weisz, Emma Stone, Mahershala Ali, Richard E. Grant, as well as Christian Bale. We saw breathtakingly beautiful films like Roma, The Favourite, If Beale Street Could Talk, and First Man – works of flawless craftsmanship by cinematographers and production designers alike.
It's here! Time to start figuring out which films are the best of the year, so get watching. One of the annual must-see best of the year lists is actually a video countdown made by my colleague David Ehrlich (follow him @davidehrlich). He counts down his 25 best films of the year in a video edited together with footage and music from each of the films. This is such an entertaining way to count down the best cinema of 2018, and it always makes me want to watch each one of these (even the ones I've seen already). His choices this year are all over the place - from Mission: Impossible to Madeline's Madeline - which makes it all the more interesting to discuss. There are a ton of outstanding films this year, many of the best featured below.
"So did you catch all the errors so far?" This fascinating, informative filmmaking video made by Vanity Fair introduces us to Martha Pinson, a renowned script supervisor who has worked on Martin Scorsese's films Aviator, The Departed, Shutter Island, and Hugo. You've likely heard of this job before, or seen it in the credits, but what exactly does a "script supervisor" do? Pinson explains, and also shows us, by walking us through an example scene. Her job is mostly to maintain continuity, and she sits on set next to the director watching each scene keeping notes, closely tracking details so they connect. It's one of the best filmmaking videos I've seen, with graphics and clear examples of exactly what's wrong and how to fix it. A must watch.
There's a film festival kicking off this week in Poland called the American Film Festival. The AFF is the fall version of the New Horizons Film Festival (which screens mostly international films in July every year), organized by the New Horizons Association located at the Nowe Horyzonty cinema in the city of Wroclaw, Poland. This rather vibrant, distinct, energetic city is located inbetween Warsaw and Krakow, but much closer to Prague and Dresden. There's a number of big universities in Wroclaw, making it a lively university city with a student population of over 150,000. It's also the perfect place to host these film festivals, because many students love cinema and love to catch all these films from all around the world. I'm happy to be here.
After attending for my first time last year and enjoying every minute of the fest, I'm back in the town of Sitges, Spain (or Catalonia) to kick off the 51st Sitges Film Festival. It's the Spanish cousin of the Alamo Drafthouse's Fantastic Fest with all kinds of genre films playing over the next 10 days. Lots of horror and sci-fi and action and more. I'm really excited to be here. I'm really excited to see a bunch of these films. It's just an excellent film festival, right on the beach, with enthusiastic audiences that love genre films. And this year I decided to stick around the entire time (and not head up to the London Film Festival like last year) so I can fit in more films and enjoy this charming little beach town. Plus it's October - the perfect time to watch horror movies and discover something new and wild and amazing in the mix. Time to jump right into Sitges.
Acclaimed, iconic Chinese filmmaker Zhang Yimou is ready to release his 21st feature film since his debut as a filmmaker in the 1980s. Titled Shadow, the film is another martial arts epic yet also a drama, based on the Three Kingdoms era in Chinese history. Over the years, Zhang Yimou has won two BAFTA Film Awards (for Raise the Red Lantern in 1991 and To Live in 1994), but never an Academy Award or Golden Globe. He still keeps making films year after year, working mostly in China nowadays, though still trying his hand at a Hollywood blockbuster (The Great Wall) in addition to a war-time drama (The Flowers of War). Shadow premiered at the Venice Film Festival this year, and also played at the Toronto Film Festival. I had a chance to interview the legendary Zhang Yimou during his visit to the festivals, and I am honored I could meet him.
Give your soul to the dance. Give your soul to the cinema. The fall movie season is well underway, kicking off with all the big film festivals - Venice, Telluride, and Toronto. I returned for my second year to Venice to attend the 75th Venice Film Festival and watched a total of 26 films in eight days before flying over to TIFF to catch a few more. The films I saw in Venice really stood out above the rest, better than almost every else from earlier this year (give or take other Sundance & Cannes films). This iconic festival is known as the very first film festival, and they have a legacy to live up to by bringing the best films from around the world every year. The fest is over, the awards have been handed out, but the films will still live on. To wrap up my coverage of Venice, here's my favorite films of the festival - those films that have remained on my mind.