ENJOY THE SHOW
"I can't think of anything lonelier than spending the rest of my life with someone I can't talk to, or worse, someone I can't be silent with." (–Mary Ann Shaffer, "The Guernsey Literary and Potato Peel Pie Society") That feeling of being high on cinema is the feeling I had coming out of Marriage Story at the Venice Film Festival. Bliss. Goddamn I am totally floored by this film. Noah Baumbach has been making beautifully honest stories about families for years, but this one is extra special. It definitely does seem a bit personal, something he has been through himself, but he is able to transfer this honesty to the big screen and tell us an emotional story and show us how love remains, even after a divorce. Marriage Story is actually a Divorce Story, but instead of calling it that Baumbach made "a love story that reveals itself within the breakdown."
"Is it just me, or is it getting crazier out there?" I'm back! Back again in the groove, the film festival groove. This week kicks off the fall season with two major film festivals: the Venice Film Festival and Telluride Film Festival, both running over the weekend. I'm back in Venice for my third time in a row to celebrate the 76th edition of this iconic festival, happy to be here, ready to start watching, excited to see all the films they're showing. I can't wait to see James Gray's Ad Astra, which has been in the works for years and is my most anticipated. And then there's Todd Phillips' Joker (get ready), then there's Haifaa Al-Mansour's The Perfect Candidate, then there's Soderbergh's The Laundromat, then there's Baumbach's Marriage Story, then there's David Michod's The King. And there's all the other films I haven't mentioned yet, too.